Art movement – The Idyllists Fri, 07 Jan 2022 09:47:38 +0000 en-US hourly 1 Art movement – The Idyllists 32 32 Letters to the Editor: January 7: “Women should do their job… I believe meritocracy will prevail. The gender power gap at work, plus other letters to the editor Fri, 07 Jan 2022 09:00:00 +0000

Paramedics are seen at Dartmouth General Hospital in Dartmouth, Nova ScotiaAndrew Vaughan / The Canadian Press

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(in) equal access

Re With Hospitals in Crisis, It’s Time There Are Consequences for Stubborn Vaccines (January 5): To that I say: Right now.

Michel benoit Toronto

I understand the frustration expressed by columnist Gary Mason. I’m sure many in our country also agree.

However, the subtle message is that somehow the unvaccinated should come to the end of the line when hospitalization is required. Hopefully most Canadians would find it abhorrent that people who have neglected their health, whether through smoking, diet, stress, or choosing a vaccine, do not receive quality health care. our health services.

Hopefully we would never stoop to that kind of “we told you so” mentality.

Steven main London, Ont.

She said

Re Medicine’s Gender Power Gap Prepares Women for Unequal Pay (Dec 31): Societal Change Takes Time. A hundred years ago there were no women in medical schools. Fifty years ago we were 20 percent of the class and now 50 percent.

Women should do their job. Do them well. And shut up. I believe meritocracy will come.

Juanita crook MD, FRCPC; professor of radiation oncology, University of British Columbia; chair in brachytherapy, BC Cancer; Kelowna, BC

Disability and poverty

Re Disability Advocate Al Etmanski wants Canada to make history with new guaranteed income policy (January 1): Al Etmanski’s goal of establishing guaranteed income with Bill C-35 would reduce poverty experienced by people with disabilities.

According to Statistics Canada, 28 percent of people with severe disabilities live in poverty. This number is likely higher because the Canadian poverty line does not take into account the additional cost of disability – it can cost 40% more to live as a person with a disability.

People with disabilities traditionally live on lower incomes due to a culture of exclusion. A guaranteed income would allow people to pay for their drugs and assistive devices and fully integrate into society, just as the Guaranteed Income Supplement does for low-income seniors.

Eligibility should be based on the human rights principles set out in the Accessible Canada Act and the United Nations Convention on the Rights of Persons with Disabilities. Bill C-35 would respect the rights of Canadians with disabilities to inclusive citizenship, dignity and well-being.

Alexandra creighton PhD student, health policy and equity; Toronto

Prime real estate

Here are four decisions the PM must stop avoiding (January 1): 24 Sussex, to me, has no historical value. I suspect most Canadians think this way because no one can have the audacity to spend money on it.

I would suggest they bring in the excavators and dump trucks and start over. Hold a competition of (younger?) Canadian architects to build something cool and worthy of the leader of a Group of Seven country.

I want our Prime Minister to greet other leaders with the message that we are a team to contend with, not someone who lives in a dump and can’t even take care of their own home. .

Bill McEachern Thornbury, Ont.

$ 36 million to renovate a house? Forget it, this is not the White House.

Burns down the National Capital Commission and demolishes 24 Sussex Street. Taxpayers’ money must be respected and the Canadian government can build for less.

Karen andersen Toronto

Why not invite Canada’s leading environmental tech companies to design and renovate 24 Sussex, or build a new residence to showcase sustainable and green residential construction?

If they did it at cost, it would lower the taxpayer bill and give these businesses the opportunity to display and promote their energy efficient construction.

What better way for companies to market themselves and for Canada to lead the way in changing the way we build for the future?

Carol Gottlob Burlington, Ont.

To slow down

Re A Simple Solution For A Better 2022: Everybody Hit The Brakes (Opinion, January 1): We need a movement against the private automobile, just like we have had a movement against smoking and cigarette advertising. Our cities spend so much on roads and to promote the use of roads mainly by cars, and today also for alternative transport. The easiest and cheapest way to secure travel? Reduce speed limits.

Winnipeg tries four different streets (with bike lanes) for a year at a limit of 30 kilometers per hour. I appreciate this small step, but many drivers still ignore the limit. It should be a general reduction to get the lower gear to sink in and get people out of their ruts.

I often think that we could promote public transport better by lowering speed limits for all cars, but leaving higher limits in place for buses.

Tim brandt Winnipeg

Art and artists

Can you still enjoy Harry Potter if you don’t want to support JK Rowling? (Notice, December 30): There is a resurgence of a depleted mode of art interpretation that derives value from the work of art from the person of the artist. It is perhaps worth remembering that the purest expression of this form of art interpretation was that of Soviet Russia, where the censors also decided to “minimize a person’s cultural influence. and his work ”, based not on the work of art but on the artist’s political unreliability.

Ryan whyte Toronto

Do not play

A shameful shutdown of theaters in Ontario and Quebec (January 5): I recently took my granddaughter to see the highly anticipated Spider-Man movie. I was the first to buy tickets for this performance. It is clearly stated that moviegoers should not change seats.

Soon someone was sitting right in front of us in a nearly empty auditorium. I suggested that my granddaughter move out, but she didn’t want to break any rules.

Four other people were seated directly behind us. I was embarrassed and distracted by their coughing and proximity, but decided to stay put. When we got up to leave, two of the four behind us were maskless.

Staff told me there was no social distancing, but there was a mask policy. I like films but when is complacency not complicity?

Columnist Barry Hertz writes that theaters “have one of the most controlled indoor public environments.” If my experience is what to expect, then close them.

Jane allen Toronto

Letters to the Editor should be exclusive to The Globe and Mail. Include your name, address, and daytime phone number. Try to limit letters to less than 150 words. Letters can be edited for length and clarity. To send a letter by e-mail, click here:

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Fabian Trevor Cowan appointed CEO of Sapio Parthiv Heritech Wed, 05 Jan 2022 04:19:21 +0000

2020 Media Veteran and OOH Professional of the Year Fabian Trevor Cowan has been named CEO of the newly formed joint venture between Sapio Analytics, a data-driven government advisory group, and Parthiv Group, a financial conglomerate, insurance, marketing, technology and more, Sapio Parthiv Heritech.

With a declared vision to re-imagine and convert outdoor locations in towns, villages and towns into aesthetic and emotionally uplifting spaces; Sapio Parthiv Heritech (SPH) is on a mission to focus on culture-driven transformation. The company plans to use innovative visual manifestations on outdoor products to create a new world of citizen-centric outdoor media and heritage-centric merchandise.

SPH creates universal products, powered by artificial intelligence and machine learning that can automatically contextualize location-based solutions. In the process, he plans to work with governments at all levels and the thriving private sector.

Through AI-powered products that restore, digitize and preserve India’s rich artistic and cultural heritage for eternity at the World Arctic Archives in Svalbard, Norway, SPH has amassed unique digital inventories dating back to 7e and 8e century BC It is also setting up an experience center in an ancient fort in Rajasthan owned by Sapio Analytics.

Additionally, through its in-depth foray into data analytics and understanding consumer behavior, SPH develops transformative products for DOOH and location-based analytics that advertisers and OOH specialist agencies can benefit from.

Commenting on his new role, Fabian said, “As an OHO professional, I think this is the right time for us as an industry to work collectively on the conscious elevation of Out locations. of Home in which we operate. Refreshing the challenge of doing something different, the excitement of creating something new, and the sheer privilege of being part of a team of visionaries, this is what I found at SPH, and can’t wait. to make a difference that is positively disruptive for the OOH ecosystem ”.

“SPH is creating a new market in the OOH ecosystem and it is imperative to have a visionary leader at the helm to become a pioneer. Over the next year, we aim to transform spaces and own assets that will uplift the consciousness of Indian citizens, under the leadership of Fabian, ”said Ashwin Srivastava, CEO of Sapio Analytics. Parthiv Group of Companies founder Rakesh Rathi also congratulated Cowan on his appointment to this transformative company.

Fabian Cowan, who recently left his post as Country Head Posterscope India (part of the Dentsu Group) after an 11-year stint, has worked in media for 27 years with experience in print, radio, television and away from home. A sought-after commentator on D / OOH, Fabian is also currently supporting new initiatives in the field of OOH.

Sapio Analytics is an artificially intelligent shadow government technology support system that aims to optimize the efficiency of decision-making for government in various sectors. With pioneering products in smart health, local government, law enforcement, rural finance, heritage restoration and more, Sapio is at the forefront of innovation driven on AI and ML.

Parthiv Group, with a portfolio ranging from corporate and commercial financial services to personal and household financing, business advisory services, marketing and advisory services, wealth management and insurance services, insurance and of technology-driven finance, is one of the fastest growing financial services companies in India.

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January programs at the East County Regional Library | News, Sports, Jobs Mon, 03 Jan 2022 05:16:05 +0000

This month’s activity list at the East County Regional Library features topics for all ages. The following activities are free for the public:

Adult Programs

Knit and stitch

5 p.m. on Wednesdays January 5 and 19

A relaxed, self-guided group of knitters and crocheters who come together to share projects, ideas and techniques. Participants are encouraged to bring their own projects and tools. Basic equipment and supplies are available for newcomers.

East County Craft Club: Folded Book Page Art

2 p.m. Saturday January 8

Recycle a damaged book by folding the pages to create 3D art. This program is intended for those 18 and over. Registration is compulsory.

Book Discussion: “Malibu Rising” by Taylor Jenkins Reid

3:30 p.m. Monday January 10

Four famous siblings throw an epic end-of-summer party that spirals dangerously out of control as the secrets and loves that shaped generations of this family are revealed, changing their lives forever.

Immigration 101 – Bilingual Spanish / English

6 p.m. Monday January 10

A United States Citizenship and Immigration Services (USCIS) officer will provide a general overview of the immigration system and laws in the United States.

A funcionario de los Servicios de Ciudadanía e Inmigración (USCIS) will provide a general description of the system of immigration and the leyes de los Estados Unidos.

Download Drop-In

11 a.m. on Tuesday January 11 25

Receive personalized help downloading eBooks, movies, music, and more from Overdrive and Hoopla, two of the Lee County Library System’s largest online content providers. Bring your fully charged digital device for this hands-on help session.

Children’s programs

Preschool play date

10:30 a.m. Wednesday January 5

Join this preschool game date for families with children ages 3-5. Meet new friends while developing early literacy skills through free games with games, toys and music.

Children read fines

4 p.m. – 5 p.m. Thursday, January 6, 13, 20 and 27

1 p.m. – 2 p.m. Saturday January 15

Children and teens can earn $ 2 credit on overdue fines for every 15 minutes they read in the designated area for a total of $ 8 in one session. Please bring your library card.

Tales for toddlers

10 a.m. Tuesdays January 11, 18, 25

For 18-36 month olds and caregivers. Toddlers and caregivers are on the move during this interactive story hour. Space is limited. First come, first served.

Family story time

10:30 am Wednesdays January 12, 19, 26

For children up to 5 years old and caregivers. Families with young children enjoy a variety of stories, songs, nursery rhymes and movements. Space is limited. First come, first served.

Preschool Story Time

10 a.m. on Thursdays January 13, 20, 27

For 3-5 year olds. Children participate in this program independently while parents and caregivers wait nearby.

Space is limited. First come, first served.

New Year’s Eve family dance

11:30 am Saturday January 8

Join us for a New Year’s Eve dance party with the family. Dress to impress and prepare to dazzle and dazzle and twist and scream as we boogie to favorite pop hits and family tunes.

Teen programs

Teen Talk Library

2 p.m. Tuesday Jan. 4, 18, 25

Join this discussion on current events, daily life, library resources and more. Teens will be encouraged to post an answer to a weekly question while socializing and making new friends. For 14-19 year olds.

Children read fines

4 p.m. – 5 p.m. Thursday, January 6, 13, 20 and 27

1 p.m. – 2 p.m. Saturday January 15

Children and teens can earn $ 2 credit on overdue fines for every 15 minutes they read in the designated area for a total of $ 8 in one session. Please bring your library card.

Play day for teens

Wednesday January 12

2:00 p.m. – High school

5 p.m. – College

Play board games, card games and more at the library. Middle and high school teens are welcome to join us for fun, play and socialize with friends after school.

College movie

5 p.m. Tuesday January 25

College teens are invited to sit and watch a movie. Bring your friends and some snacks. Call the Eastern County Regional Library for movie titles before the event. Film ratings range from G to PG-13.

High school movie

2 p.m. Wednesday January 26

High school teens are invited to sit and watch a movie. Bring your friends and some snacks. Please call the Eastern County Regional Library to obtain film titles prior to the event. Film ratings range from G to PG-13.

The Eastern County Regional Library is located at 881 Gunnery Road in Lehigh Acres. For more information on a program or to register, please call the library at 239-533-4200. Check out the Lee County Library System website at to learn more about programs at other locations. Call the host library or the telephone reference at 239-479-INFO (4636), for more information on a specific program.

In accordance with the Americans with Disabilities Act, Lee County will not discriminate against qualified persons with disabilities in its services, programs or activities. To request assistance or ancillary service for effective communication or a reasonable modification to participate, contact Joan LaGuardia, 239-533-2314, Florida Relay Service 711, or Accommodation will be provided at no cost to the applicant. Requests must be made at least five working days in advance.

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Saudi Arabia announces 846 new cases of COVID-19, one more death Sat, 01 Jan 2022 12:54:35 +0000

Outlook 2022: Saudi Arabia’s booming entertainment sector is just beginning

RIYAD: For some three decades, entertainment venues, from cinemas to concert halls, have been locked down across Saudi Arabia, depriving citizens and visitors of outlets to enjoy cultural, sporting and artistic activities in public

This all started to change in 2016 with the creation of the General Entertainment Authority as part of the Kingdom’s broad social and economic reform agenda, Vision 2030.

Five years later, Saudi Arabia’s thirst for entertainment is evident. In just two months, up to 8 million people took part in Riyadh’s 2021 season, a cultural extravaganza unheard of just five years ago.

Boys wave national flags during celebrations in Riyadh marking Saudi Arabia’s national day on September 23, 2020 (AFP)

The General Entertainment Authority was established to help advance the Kingdom’s Vision 2030 plan to diversify the Saudi economy away from oil, enabling it to become a global leader in the creative, entertainment, tourism and entertainment industries. high technology.

Now, Saudi citizens and international visitors, regardless of their income level, can enjoy a plethora of entertainment options that were previously denied to them, improving their quality of life and the attractiveness of the Kingdom as a work and investment destination.

Entrepreneurs offer camel rides in AlUla. (An archive photo)

In just five years, GEA has issued 2,189 licenses and 1,809 permits allowing more than 2,500 companies to start local entertainment businesses. The sector has already generated more than $ 1 billion in profits and attracted more than 75 million visitors.

Although Saudi Arabia’s entertainment revolution suffered setbacks in 2020 at the height of the COVID-19 pandemic, with events suspended, venues closed and international travel banned for several months, the cultural calendar has come back in full force in 2021. Much is yet to come.

Saudi fans attack wrestling star at WWE event in Jeddah. (Provided)

For a whole generation of young Saudis, it will be another year of firsts.

Until the late 1980s, Saudi cities enjoyed a thriving art movement that offered the public a wide variety of entertainment options. However, that ended in the early 1990s.

Saudi fans attend the “MDL Beast Fest”, an electronic music festival, held in Banban, on the outskirts of the Saudi capital Riyadh, on December 19, 2019 (AFP file)

For a while, only two music festivals were held per year – one at the Muftaha theater in Abha and another at the summer concerts in Jeddah – until these were also shut down. The last concert opened in Riyadh took place in 1992 during the Al-Janadriyah festival.


2016 Creation of the General Entertainment Authority.

2017 First public concerts in nearly three decades.

2018 The 35-year ban on public cinemas is finally lifted.

2018 First Diriyah E-Prize of the Kingdom.

2019 Launch of the Saudi Seasons initiative.

The silence was broken in March 2017 with the Kingdom’s first public concert in nearly three decades. Although attendance was limited to men only, tickets for the performance of Saudi performers Mohammed Abdu and Rashid Al-Majed sold out immediately.

Cairo Opera’s National Arab Music Ensemble (AME) performs at the King Fahd Cultural Center in Riyadh on April 25, 2018 (AFP)

Later that year, Saudi Arabia hosted its first public performance by a female artist. Lebanese singer Heba Tawaji performed on stage at the King Fahd Cultural Center in Riyadh to an all-female audience of 3,000.

In the same year, the Greek composer and pianist Yanni performed in Riyadh, Jeddah and Dammam. In a tweet ahead of his arrival in Saudi Arabia, he said: “We are going to experience history in the making and I wouldn’t miss it for the world! First stop in Jeddah! … Yanni.

Participants at work during the Formula E race in Diriyah, Riyadh. (AFP)

The following year saw the launch of the Ad Diriyah concerts, with several performances on the sidelines of the Kingdom’s biggest event – the Formula E race in Diriyah – including an unforgettable performance by French DJ David Guetta.

“This concert was magical. I loved every second, ”music fan Eithar Alshadukhi told Arab News at the time. “David Guetta’s songs are amazing, but when he created a special piece for Saudi Arabia it blew me away.”

Mariah Carey in concert in Jeddah in 2019 (File photo)

In 2019, American singer-songwriter Mariah Carey performed in Jeddah, making her the most prominent international artist to perform in the Kingdom since the relaxation of restrictions on entertainment.

In the same year, K-Pop boy group BTS became the first foreign artist to perform solo at a stadium in Saudi Arabia to an audience of over 60,000 at King Fahd International Stadium.

Music concerts have flourished in Saudi Arabia since 2016. (Provided)

Music concerts are not the only area of ​​entertainment that has flourished in Saudi Arabia since 2016. Intensely proud of its heritage and natural beauty, the Kingdom has invested heavily in promoting leisure and tourism activities in its coastal, mountainous and desert regions.

In the process, Saudi Arabia has broken several Guinness World Records, including a record in 2020 for the largest hot air balloon glow show over the ancient city of AlUla, with 100 balloons spread over 3 km of sky.

Hot air balloon festival in the ancient city of AlUla. (Provided)

Riyadh, Saudi Arabia’s 2021 season also received two Guinness World Record Certificates for “Avalanche”. With 24 lanes reaching a record height of over 22 meters, it has been recognized as both the tallest fun slide in the world and the one with the most lanes.


2,500 companies licensed by the General Entertainment Authority.

$ 1 billion in Saudi entertainment industry profits over the past 5 years.

75 million visitors to recent events and activities organized by Saudi Arabia.

Another area of ​​entertainment that has exploded over the past five years is the film industry. In 2018, the 35-year ban on public cinemas was finally lifted, spurring the growth of a domestic market and the opening of “Movi” – the first nationally owned and operated cinema in Saudi Arabia – first in Jeddah then throughout the Kingdom.

The lifting in 2018 of a 35-year ban on public cinemas stimulated the growth of a domestic market and the opening of “Movi”. (Provided)

In 2019, the Red Sea International Film Festival was launched, bringing together Saudi and international filmmakers, actors and industry professionals to celebrate cinema and the world’s top on-screen talent.

The ambitious mandate of the festival is to develop and promote the film industry in Saudi Arabia, to uncover raw regional talent and to support a new wave of cinema around the world.

The opening up of the Kingdom’s entertainment industry spurred interest in film and acting. (File photo)

To preserve and promote Saudi Arabia’s rich and unique culture, while boosting the domestic and international tourism market, the Saudi Commission on Tourism and National Heritage launched the Saudi Seasons initiative in 2019 with great success.

Festivals were held in Riyadh, Jeddah, Eastern Province, Taif, AlUla, Ad Diriyah and elsewhere, celebrating the diversity of the Kingdom’s local crafts and traditions, while creating jobs for young Saudis. .

Hundreds of beach resorts have sprung up across Saudi Arabia since the Kingdom opened up its tourism industry a few years ago. (SPA)

Tourism is an area Saudi Arabia is particularly keen to promote with the launch of its Saudi e-visa in 2019. The Kingdom expects to have welcomed 100 million tourists by 2030, drawn by a mix of news luxury seaside resorts on its coastline, educational outings among its spectacular ancient ruins and adventure activities in its vast deserts and lush mountains.

So much has already been accomplished in the Kingdom’s leisure and entertainment industries since the reforms began just five years ago. No doubt 2022 will be another year of firsts on the road to 2030.

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To help our youth heal from gun violence, give them better access to the arts Thu, 30 Dec 2021 22:00:00 +0000

How can students deal with their pain, anger and trauma due to gun violence?

In 2021, 57 Chicago school-aged children died of gun violence, up from 49 in 2020, as the Sun-Times recently reported. Also in 2020, dozens of 18-year-olds, some recently graduated and others still in school, were victims of armed violence.

There is no doubt that Chicago students face the trauma of gun violence, which has been compounded by the continuing threat of COVID-19 and the school disruptions caused by the pandemic.

To help students cope with the trauma of gun violence, many school administrators provide access to therapists, psychiatrists and social workers. They offer screaming break rooms and Peace Circles to share their feelings to support teens – and their parents, too – as they deal with their frustrations and grief.

Another way to help young people is the arts. Chicago schools have struggled for years to offer programs rich in music, drama, visual arts, and literature. Such programs are needed more than ever.

Young people traumatized by gun violence would benefit from increased access to the arts, both in schools and in their communities, as a means of healing. Recent research shows that exposure to the arts can help children and young people cope better, express themselves creatively and regain their joy.

According to National Endowment for the Arts 2020 Arts Education Data Toolkit, Studies have shown that the arts can boost students’ communication and critical thinking skills, support their social and emotional development, nurture their creativity, and improve their performance in school.

A feeling of optimism

Despite the benefits of arts education, lack of funding has long been a major obstacle. In Chicago’s high schools, access to in-depth art education fell from 64% in 2017-18 to just 60% in 2018-19. the arts budget in CPS schools decreased in 2019-2020 compared to 2018-2019. The median budget per student for arts programs and materials in high schools has increased from $ 9.29 to $ 8.73; in elementary schools, it went from $ 6.58 to $ 5.56.

Ingenuity, a non-profit organization established a decade ago to fund, support and research arts education at CPS, reported in its 2018-2019 annual report that 35% of students – mostly black and low-income – do not have “consistent access to high-quality arts education.”

There is ample evidence that increased access would help our young people.

In a study conducted by the New Victory Theater Spark Change program in nine New York City schools from 2014 to 2019, researchers found that participating students “not only deepened their empathy and creative thinking – (but) built also a sense of optimism about what the future holds. . “

After a year in New Victory’s arts education program, student scores on future guidance measures increased by more than 10%, compared to a 5% decline among students who did not participate. In other words, as the group’s report indicates, providing strong performing arts programs is a way to “create hope” in young people.

Another recent study of young Syrian refugees who had lived in the United States for about a year showed that a 12-week art therapy program helped them develop coping skills and reduce stress.

Chicago is starting to “get it”, it seems. In 2020, the National Youth Art Movement Against Armed Violence was established here as the first nonprofit dedicated to using a combination of arts activism, commercial billboards and augmented reality technology to support artistic creation in response to gun violence . Young people aged 13 to 28 will create interactive and mobile works of art that express the impact of gun violence. In the long term, the vision is to expand the project to other cities, eventually creating a national cohort of young artist-activists against gun violence.

When young people have the opportunity to pick up an instrument, choreograph a dance, paint a mural, or write their generation’s song of forgiveness and hope, they are likely to feel less hopelessness and a more positive connection.

As our schools look for ways to help young people heal from trauma, it is important to remember the arts. Better access to arts education can help many of our young people cope and heal in the midst of chaos.

Diane Claussen is responsible for theater management and assistant professor at the Theater School at DePaul University and a Public Voices member of the OpEd project.

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A biopsychosocial approach to prevent chronic pain Mon, 27 Dec 2021 08:02:38 +0000

It is very clear that chronic pain is a global health problem, and the evidence suggests that the current health care system is under-prepared to handle the complexity of the problem.1

Pain, which lasts more than three months, affects more than 20% of the American population, with an estimated health care cost of between $ 500 and $ 653 billion per year.2,3,4

What confuses many people with chronic pain is the fact that with all the technological and therapeutic advancements of the past 20 years, why aren’t we doing better? The answer, in my professional opinion, lies in how we identified the problem. Most clinicians, including myself, have been formally trained to handle the machine.

What I mean is that we have been inundated with a biomedical and mechanistic view of healing that focuses its attention on the body. If someone presents with low back pain, the traditional medical process is to treat the local painful area regardless of the individual attached to the body part.

What is pain?

Pain is defined by the International Association for the Study of Pain as an unpleasant sensory and emotional experience associated with potential tissue damage or described in terms of such damage.5

Dissecting this definition with our clients is a valuable opportunity to identify the non-biomechanical influences of the pain experience. Have an open discussion that pain, as noted, might be associated with potential tissue damage is telling for many. This allows us to question the linearity that tissue trauma equals pain and to recognize that the brain plays an important role in the experience. We have hunted down the root cause or what has been described as the pathoanatomical holy grail of pain with little success.6

May I suggest that sometimes gremlin’s search for causal pain can lead to increased fear and anxiety which amplifies symptoms? It is now clear that pain is an output generated by the brain and that it is strongly influenced by many factors, including biological, psychological and sociological

What is not clear, as stated by George Engle, MD, who coined the term biopsychosocial approach, is how pain is diffused by cultural, social and psychological considerations.8 This is where art meets manual therapy.

The key here is how the therapist interacts with the client to find out which component of the biopsychosocial is fueling and addressing their pain, simultaneously, as we intervene with tactile therapeutic modalities. With psychosocial factors in mind, let’s discuss how we can augment our traditional manual therapy practices with some guidelines to follow.

Observe, learn and listen

First, taking a biopsychosocial approach requires the therapist to observe, investigate, and listen more than we have in the past. The goal is to collect information from the person about the significant movement that motivated them to seek care. In short, what makes them move? It could be a tennis serve, a paddle stroke, a swim stroke, a bending motion to pick up a child. Either way, this will be the anchor to focus on rather than the pain.

Meaningful movement is what drives them, not necessarily the pain. So focus on that. The goal here is to distract from the experience of chronic, debilitating pain and address the meaningful movement they seek to return to.

The approach might seem subtle, but the landscape has now changed from one of them as a passively processed body part to an actively participating athlete with a goal of movement. Now, the tool used to help manage movement is integrated with a therapeutic experience to show the client that it is possible to regain the meaningful movement pattern painlessly.

It is essential to go beyond the emphasis on pain and give a feeling of HOPE (Hold On, Pain Ends) that one can return to a sport or to a psychologically and socially significant activity.

ten General Guidelines

Before you embark on applying this approach to manual therapy, here are some general guidelines to consider9:

1. Communication is essential when working with someone with chronic pain.

2. Inform the client about the movement-based approach to your care: “Let’s try an experiment or an exercise”.

3. Validation cannot be overstated. The pain they feel is real to them and it is important that we establish an empathetic alliance, so that they recognize that we are together.

4. The tool (if used) should be presented and explained to enhance scientific effectiveness in practice. This opens the way to a therapeutic confidence in the intervention which psychologically arms the nervous system so that it accepts the process as palliative.

5. Make sure you get buy-in from the customer.

6. Safety first: they must understand that they are in control of the experience.

7. Remind them that the brain and body are flexible to build confidence in the process.

8. Pay attention to psychosocial cues (pupil dilation, breath holding, jaw tightness, tool aversion) – respect limits and adjust if necessary.

9. Track Success — As you incorporate therapy into meaningful movement, be sure to document positive changes.

10. Get feedback and celebrate wins.

Significant Movement experiment: practical example

Client: 62 year old male

Complaint: Chronic shoulder pain

Diagnosis: “Too many birthdays” (idiopathic – no known cause)

In the initial phase of information gathering, it was identified that throwing a baseball with his grandson was the target of significant movement. With that in mind, we started with a careful exploration of the body part with a technique we call body mapping. The therapist will articulate the tool to the fabric with a light feather motion as the client draws attention, non-judgmentally, to the shoulder.

This is because they are responsible for drawing a picture of the body part in their mind. The tool acts as a kind of tuning fork, allowing both therapist and client to better appreciate and connect with the body part in a non-threatening way. As the person gains confidence, the significant movement identified can be explored while using the tool. Combining instrument-assisted technique with curious attention has been shown to alleviate the fear associated with moving the body part. This can and usually does lead to improvement in symptoms as well as confidence in returning to lost movement.

The goal of this approach to manual therapy is to bring the tissue attached person as an active participant in the therapeutic experience. Ask them to join in the process of reconnecting with the body and meaningful movement. That’s the point, isn’t it? All it takes is a caring guide: you!


1. International Association for the Study of Pain. Montreal Declaration. Declaration that access to pain management is a fundamental human right. Available online: Montreal Declaration (accessed March 8, 2019).

2. Yong RJ, Mullins P, Bhattacharyya N. The prevalence of chronic pain in adults in the United States. Pain, 2021; Publish before printing.

3. Macfarlane GJ. The epidemiology of chronic pain. Pain 2016, 157, 2158-2159.

4. GBD 2016 DALY and collaborators HALE (2017). Global, regional and national disability-adjusted life years (DALYs) for 333 diseases and injuries and healthy life expectancy (HALE) for 195 countries and territories, 1990-2016: a systematic review for the study of global burden of disease 2016. Lancet, 390 (10100), 1260-1344.

5. International Association for the Study of Pain. IASP terminology: Pain. Available online: Pain (accessed March 8, 2019).

6. Grant D. Body-mind dualism and the biopsychosocial model of pain: what did Descartes really say? J Med Philos. 2000; 25 (4): 485-513

7. Moseley G, Butler D. Explain supercharged pain. Noigroup publications; 2017.

8. George, E. The need for a new medical model: a challenge for biomedicine. Psychodyne. Psychiatry, 2012; 40 (3) 377-396. Reprinted with permission. © 1977 American Association for the Advancement of Science.

9. Mischke-Reeds M. Somatic Psychotherapy: Toolkit. PESI Publishing and Media, 2018.

Steven Capobianco, DC, DACRB, CSCS

About the Author

Steven Capobianco, DC, DACRB, CSCS, has been a practicing chiropractor since 2003. His professional aspiration is to help people move in more meaningful ways. He completed his traditional chiropractic training with a Rehabilitation Diploma from the ACA Rehabilitation Board and is certified as an NSCA Strength and Conditioning Specialist and NASM Performance Specialist. As co-founder of ROCKTAPE, Capobianco lectures around the world on topics related to kinesiological taping, IASTM modalities, myofascial suction cup, compression thread therapy, and movement / performance strategies.

The tragic novel that binds Bob Dylan and The Doors Sat, 25 Dec 2021 16:00:00 +0000

In the 1971 masterpiece of The Doors Wife, Jim Morrison shouts the words, “Well, I feel like it’s been watching me for a long time,” with the battle cry of a frustrated builder who just found out his jackhammer was stolen but is gonna try to shake the wall anyway. This moan of the disenfranchised besieged resonates in Bob Dylan’s music as well, albeit in a very different style, but the connection between the icons is much less nebulous than that.

Jim Morrison’s purring words in “Been Down So Long” were actually taken directly from Richard Farina’s novel, I stayed so long it seems to me, published five years earlier. As if woven by the capricious fingers of fate, this book almost serves as an allegorical paradigm of the tragic side of the counterculture, weaving some of its most important figures into the picture.

In the novel itself, “Farina evokes the Sixties in such precise, witty, and poignant ways as F. Scott Fitzgerald captured the jazz era,” according to Penguin. “The hero, Gnossus Pappadopoulis, weaves his way through the psychedelic landscape, encountering, among others, mescaline, women, art, gluttony, lies, science, prayer and, sometimes, the truth. ” The proto-Fear and loathing in Las Vegas The masterpiece provides a counterculture vignette and almost foreshadows its demise, as he states: “It’s a nervous little decade we’re playing with. “

Farina wasn’t just watching the counterculture movement and translating it into flickering prose with precision, he was truly a part of it. He was a singer who became good friends with Bob Dylan and even married Joan Baez’s younger sister, performing with her under the name Richard & Mimi Baez. This inner worldview illuminates lines such as, “My elusive race consciousness doesn’t give me a fig, baby. But I endure, if you know what I mean ”, a certain fateful weight, especially given what was to happen.

Two days after the publication of her seminal work, Farina attended a book signing promoting the novel. He chatted with fans, discussed the whys and hows of the novel and how the art world seemed to be teetering on the verge of realizing the old William S. Burroughs quote: “In my opinion artists are the real architects of change, not the political legislators who implement change after the fact. In the end, the novelist left the signature behind, jumped on his motorcycle, and was tragically killed in a collision.

Dylan was saddened by the loss and would later suffer a motorcycle accident, prompting him to shy away from the zeitgeist which, as Farina said, “[mistook] induction for generation ”and regained a sense of spiritual youth, touting the message that he was“ much older then, I’m younger than that now ”. Meanwhile, Morrison was moved by the prose and the sad loss of Farina in a different way, relishing the ways of the youthful revolt in a madness of visceral creativity that nonetheless recalled some notion of the mystical spirit of the great old America. Morrison would also tragically die soon after delivering the fateful title.

As it turns out, even the novel that tied the counterculture icons together went back to the deep roots of pop culture’s past. The expression “Been down so long, that it looks like up to me”, takes its origin from the old rock ‘n’ roll precursor of the blues. In the 1928 Furry Lewis track “I Will Turn Your Money Green” he makes his way through making a lady turn pale with phrases like “I’m showing you more money than Rockefeller has ever seen” before. hinting at a darkness with “If the river was whiskey baby and I were a duck, I would dive to the bottom, Lord, and I would never come back up,” before the truth was revealed that he is terribly alone and that it purrs the now iconic line.

In 1997, Dylan came full circle with the loan of a verse from Lewis’ song for his blues anthem “Trying to Get to Heaven”, inspired by both the late bluesman and his old friend Farina. In the song, Dylan shakes the ‘… Money Green’ line with his earthy tones: “When I was in Missouri they wouldn’t let me, I had to rush out, I only saw what they let me see. “And in doing so, he seemed to tie together some long paths in history that had led culture to a particular point on the increasingly rutted roads of disenfranchised people – ala” we are maybe to be ugly but we have the music ”. This connected tale may be riddled with tragedy, but the art it spawned along the way “will last forever, if you know what I mean.”

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15 most anticipated high-end hotel openings in 2022 Thu, 23 Dec 2021 13:08:02 +0000

Fifth Avenue Hotel

Located in the upscale NoMad neighborhood of New York City, this luxury hotel (also a member of Leading Hotels of the World) will combine a historic residence designed by architectural firm McKim, Mead & White with a new 24-story addition by Perkins Eastman. AD100 designer Martin Brudnizki is behind the interiors, which draw inspiration from the golden age with a rich color palette and art. There will be 153 rooms and suites, four chic restaurants and bars, and a ballroom for star-studded events. Opening spring 2022;

The Maybourne Riviera is home to Jean-Georges Vongerichten’s first restaurant in the south of France

Photo credit: The Maybourne Riviera

The Riviera Maybourne

The Maybourne Hotel Group (the brand behind Claridge’s, Connaught and Berkeley in London) will launch its first foray into France on the legendary French Riviera. They brought in not one but six designers — André Fu, Bryan O’Sullivan Studio, Marcelo Joulia, Pierre Yovanovitch, Pascal Goujon and Rigby & Rigby — who will each add their own distinct style to the project, which includes 69 rooms and suites. and a variety of culinary destinations. Jean-Georges Vongerichten will be opening his first restaurant in the south of France, and Hiro Sato will add a world-class sushi experience, but the big-price restaurant is sure to be Mauro Colagreco’s, whose Mirazur restaurant was named the best in the world. restaurant world in 2019. Opening spring 2022;

The elegant exterior of the St. Regis Chicago, by AD100 architect Jeanne Gang.

Photo credit: The St. Regis Chicago

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Northampton Education Foundation awards nearly $ 16,000 to six city school projects Wed, 22 Dec 2021 01:32:39 +0000

Posted: 12/21/2021 20:23:38 PM

Modified: 12/21/2021 20:23:23 PM

NORTHAMPTON – The Northampton Education Foundation has approved $ 15,727 in grants for six projects to be completed in schools across the city by the end of the school year, including the introduction of new learning and development tools professional.

The largest grant in this cycle is $ 5,000 to fund the creation of a learning module in every school in town called ‘A Mother’s Bond’, which will use storytelling to encourage educators and students to reflect critically on race and institutional racism.

In a statement announcing the grants, the education foundation said the school district will partner with the Self-Evident Education organization “to connect students to the history of their specific geography, connect their own lived experiences to stories from our past and connecting a sense of justice in the present and the future with an understanding of the past.

Megan Rubiner Zinn, member of the Foundation’s board of directors, said the small grants program is open to “any teacher with a creative idea who cannot fund it on their own with their regular budget, or an idea of professional development for himself or his colleagues “.

Previously, small biannual educational foundation grants supported a wide range of endeavors, including outdoor learning about the life and philosophy of Henry David Thoreau, promoting the Northampton Jazz Band High School and college classroom design that teaches coding for drones. Applications for the next round of grants are due in mid-April.

A $ 3,000 grant will support a family reading and math program at Leeds Primary School, and $ 2,520 will be used to print the fourth volume of The Viking Runestone, a book of works of art and d writing by the students, faculty and staff of Smith Vocational and Agricultural High School.

Seventh-grade English educators at JFK Middle School received a $ 3,000 grant to design courses on the cultural and artistic movement known as Afrofuturism.

“Their goal is to make the English curriculum diverse and culturally appropriate, to bring joy and engagement into the classroom while maintaining high expectations, and to promote student achievement by reading and writing, ”the education foundation wrote in its statement. The unit will focus on “Literature Circles Based on Various Fantastic Books by Color Authors”.

A grant of $ 1,811 will help fund Women’s History Month and Voting Rights programs at JFK Middle School, and allow for the creation of a Voting Rights resource section in the library. The school will also feature the League of Voters’ She Shapes History Art Exhibit for students and staff.

The PACE program, for students aged 18 to 21 with moderate to severe disabilities, received $ 396. The program will purchase a mix of concrete, molds and decorations, including glass beads, to create student-designed stepping stones for their outdoor courtyard.

In addition to the small semester grants, the Northampton Education Foundation awarded three endowment grants for the 2021-2022 school year, for a total of $ 61,640. Grants include $ 36,640 for an outdoor education program for elementary school students through the Hitchcock Center; $ 20,000 for educational programs with Grow Food Northampton; and $ 5,000 for a resource library project serving high school students.

Brian Steele can be reached at

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Frederick C. Baldwin, co-founder of Houston FotoFest, known for championing the “big picture” of photography Mon, 20 Dec 2021 15:03:12 +0000

Frederick C. Baldwin, the highly regarded and famous photographer and collector known for co-founding Houston FotoFest, the largest photography festival in the United States, passed away suddenly on December 15 at the age of 92.

In 1955, when 26-year-old Baldwin was barely a photographer, he managed to find his way into Pablo Picasso’s southern French home while on vacation in the region. The portraits that the young Chancellor made of the famous artist launched Baldwin’s photographic career, a career that spanned the Arctic, Afghanistan, India and, most importantly, the civil rights movement in the southern hemisphere. United States.

But Baldwin, who was called Fred, will be remembered mainly for the photography festival he founded with his surviving wife Wendy Watriss in Houston, Texas, in 1986, and which is today considered one of the the most important photographic exchanges in the world.

Mark Sealy, the influential British conservative and director of London’s Autograph ABP agency, was commissioned by Baldwin to organize African cosmologies: photography, time and the other, a show featuring more than 30 African artists, during the 18th edition of the Fotofest in March 2020.

Sealy remembers Baldwin as a “shining example of generosity.”

“When you first met Fred and Wendy, you were struck by their real openness,” Sealy said. The arts journal. “And they were open at a time when a lot of cultural organizations around the world just weren’t. They really believed in providing space for different types of photography. This is what drove them.

Fotofest, Sealy notes, often offered funding and exposure opportunities to black British photographers who did not have comparable opportunities at home in the UK.

“They gave black British photographers a very important platform very early in the game,” Sealy said. “It was a transformation for us. “

Baldwin then used Fotofest as a platform for minority photographic art decades before it became a mainstream business. “When you first met Fred, you thought, ‘Oh my god, big guy, gruff American, here we are,’ Sealy said. “But underneath was a real example of the politics of care.”

“He cared about different points of view. Even though he might not have fully understood them, he was still open to them and he was ready to learn, ”Sealy says. “And that’s all we asked for. The arts is the ability to learn from one another’s experiences, and Fred embodied it.

Baldwin’s generosity to overseas photographers, who had yet to make their name, is a recurring testament to his character. Shahidul Alam, the famous Bangladeshi photographer who has worked closely with Fotofest, remembers meeting Fred and Wendy on his first visit to the United States.

“I had never met them before,” says Alam. “There was no reason they knew me. I made a cold call and arrived in Houston. Not only was I received with wonderful warmth. They fed me, showed me around Fotofest and offered me their sofa to sleep on. I was used to such hospitality for foreigners in Bangladesh. I didn’t expect it in the USA. We’ve been friends ever since. “

Son of an American diplomat, Baldwin was born privileged in Switzerland in 1929. He lived an itinerant youth, moving constantly from one country to another, first in pursuit of his father’s work and then, after his father’s death as Baldwin five, as he attempted to seek his place among the homes of family, friends and schools to which he was sent and from which he was expelled in various ways. The uprooting of his childhood pushes him to rebel and he initially fails in his studies.

Not knowing what to do with himself, Baldwin enlisted in the United States Marine Corps and was deployed to serve during the Korean War in the United States, where he was awarded two Purple Hearts and where he took some of his early photographs.

In his 2019 memoirs, Dear Mr. Picasso: An illustrated love story with freedom, Baldwin recalls the years after Picasso’s filming, during which, on expeditions with his camera, he photographed Sami reindeer herders in the Lapland region of northern Europe, as well as the great tundras of the Arctic.

“What was magical to me was that a tiny tiny camera could serve as a passport to the world, a key to open every lock and every closet of inquiry and curiosity,” Baldwin wrote of the discovery of the power of photography.

Baldwin eventually returned to the United States and settled in Savannah, Georgia, in the southern United States, where he married his first wife, Monica. He recalls in his memoirs the horrific impact of witnessing a Ku Klux Klan rally in Alabama in 1957, before then immersing himself in the civil rights movement. He met Hosea Williams, a civil rights leader and ordained minister who was close to Martin Luther King Jr. and began attending and photographing meetings of Chatham County Crusade activists for Williams voters. This period of training led Baldwin to begin to view photography as a tool of social use rather than a reductive way of expressing his own personal experiences. He has learned to remove the ego from his job.

In his memoir, he writes: “Economic discrimination was nothing new to me, nor was segregation or class division, but the difference was that I became intimate with these realities in a totally way. news. And I was taking photographs in a new way – for a cause, a cause that I knew was right.

He met Watriss, then a young journalist, in 1970 in New York. Less than a year after they met, they had embarked on the age-old road trip across America; he would photograph the continent beyond, she would write down what they would discover and who they would discover. The couple quickly married and founded Fotofest in Houston in 1986, three years after attending the Rencontres d’Arles photography festival in the south of France.

In an interview with the Houston Chronicle, Baldwin said the festival was founded as “an act of anger” – a reaction to the way the medium of photography, and in particular the photography of events and experiences beyond the mainstream of the American life, was so systematically ignored by the established order of art. world. The founding mission of Fotofest, from its creation to the present day, was to “bring together a global vision of art and intercultural exchanges with a commitment to social issues”. The festival struck a chord and quickly gained stature and fame. Today, it is firmly established as one of the major photographic exchanges in the world.

Baldwin’s interest in the thoroughness of hosting the festival has never wavered, according to British photo book publisher Dewi Lewis. “At every Fotofest I’ve attended for the past 25 years or so, Fred has always been there, always a pleasure to meet and talk, always someone who has lit the room,” says Lewis. “He had a warmth and a spirit that could charm anyone, but it often hid the extent of his own accomplishments and his more serious side as a photographer, author, educator and social activist.”

Baldwin is survived by Watriss; sons Grattan Baldwin and Breck Baldwin; her granddaughter Anika Baldwin and her sister-in-law Judith M. Baldwin.

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