Idyllist artists – The Idyllists Wed, 13 Apr 2022 20:15:37 +0000 en-US hourly 1 Idyllist artists – The Idyllists 32 32 Tite Kubo’s Burn the Witch Blanket Hides a Subtle Bleach Easter Egg Thu, 24 Mar 2022 13:44:56 +0000

An eagle-eyed fan spotted a sneaky Bleach reference in the cover of Tite Kubo’s spin-off manga series burn the witch.

As shown in a video posted on Reddit, with a particular flash, the case of the first volume of burn the witch also includes the word Bleach emblazoned on the front; while the B’s, E’s, C’s and H’s are fairly easy to spot, the L’s and A’s are cleverly hidden with the first T and W of Burn the witch.

RELATED: How Bleach Reinvented Shonen Anime’s Dumbest Fighting Trope in Pure Style

After completing the Bleach manga series in 2016, Kubo started working on Burn the witch. It was first published as a single chapter in Shueisha’s Weekly Shōnen Jump in July 2018 and began as a full and continuing manga series in August 2020. Although set in the same universe as Bleach, it’s not necessarily a sequel; the story follows two witches, Noel Niihashi and Ninny Spangcole, who work for the Soul Society’s western branch, located in Reverse London. the burn the witch the manga is currently underway and licensed for English distribution by Viz Media.

Studio Colorido (Star Wars: Visions) adapted burn the witch in an anime film, which premiered in October 2020. Tatsuro Kawano (Kabaneri of the Iron Fortress) directed the film with Chika Suzumura (Muromi-san) overseeing the script, Keiji Inai (Is it wrong to try to pick up girls in a dungeon?) composing the music and Natsuki Yamada (Fate/Apocrypha) design the characters. Kunihiko Inaba (Fullmetal Alchemist: The Movie – The Conqueror of Shamballa) served as art director and Keiichiro Miyoshi (Megalobox) was the sound director.

RELATED: Bleach: What Exactly Are Ichigo’s Powers (& Why Zangetsu Kept Changing)

Asami Tano (The God of High School) and Yuina Yamada (The strongest sage with the weakest crest) played the role of Ninny and Noel respectively in the burn the witch anime. The cast included several other popular and experienced voice actors, including Chikahiro Kobayashi (This time I got reincarnated as a Slime), Haruka Shimizu (kakegurui), Haruka Shimizu (tiger and rabbit), Saori Hayami (Boruto: Naruto Next Generations) and Miou Tanaka (Mobile Suit Gundam: The Origin).

Bleach, meanwhile, is gearing up for the return of its anime adaptation. The new season will be called Bloody Thousand Year War, and is set to air next October. The anime will adapt chapters from Kubo’s manga that were released after the conclusion of the original show, although the author stated that the new show will feature new story elements not seen in the original story.

the burn the witch The animated film is available to stream on Netflix and Crunchyroll.

KEEP READING: Bleach’s Most Tragic Villain Isn’t Who You Think

Source: Reddit

Ash and Pikachu in the Pokémon Black & White anime

Pokémon’s biggest unresolved cliffhanger was caused by a real-world disaster

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How ‘Aquaman’ could lead to an epic trilogy and ‘Justice League 2’ – The Hollywood Reporter Sun, 23 Dec 2018 08:00:00 +0000

[This story contains spoilers for Aquaman.]

Aquaman has already broken records in China, and reigns at the American box office. A sequel is in the early stages of discussion, and luckily for Warner Bros., there are plenty of sources for Aquaman sequels to be drawn from it, some of which are set up by the first film.

Jason Momoa recently said that he has already shared some ideas with director James Wan on where the next installment will go. And while the director hasn’t confirmed if he’s ready for a sequel, he has also said there is room for sequels. What’s appealing about Wan as a filmmaker is that he makes the most of every movie. It’s easy to imagine another iteration of Aquaman which would have focused solely on Black Manta (Yahya Abdul-Mateen II), or Ocean Master (Patrick Wilson), or even Atlanna (Nicole Kidman), but Wan’s film does all of this with great success. Whether it’s a roller coaster furious 7 (2015) or The Conjuring 2‘s (2016) focuses not only on the actual events of Enfield Poltergeist, but also on the derived foundations laid by the original concepts of The nun and Crooked man, Wan brings his films to the brim to give audiences the most of his cinematic experiences. With that in mind, we have a few ideas on where Aquaman could go in the hands of James Wan.

Black mantis

The most obvious path a sequel will take is to further define the animosity between Aquaman (Momoa) and his comic book nemesis Black Manta (Abdul-Mateen II). Although the villain played a supporting role for Orm / Ocean Master (Wilson), Aquaman spent a lot of time showcasing David Kane’s transformation into Black Manta. Manta’s origin has changed several times over the years, but this version is inspired by Geoff Johns’ interpretation of the character, established in Brightest day (2011) and New 52 (2011). In the comics, a young Arthur Curry accidentally killed Black Manta’s father after his own father was attacked. But the movie makes a smart change by asking Arthur not to save Manta’s father when he gets the chance. As Arthur tells Mera (Amber Heard) later in the movie, he made a choice and made an enemy. Arthur’s guilt and the fact that a decision changed the course of his life and those around him is a major consequence to be combated.

Just as its origin story has received many iterations, so have Manta’s goals. From wanting to punish Aquaman for not saving him as a boy, to wanting to create an Atlantean empire for downtrodden African Americans, Manta has always been motivated by hate, going so far as to kill Arthur and Mera’s son. . Recent iterations have seen him go beyond simply seeking revenge for his father’s death to join the Legion of Doom in an effort to obtain a relic that would give him the powers of Aquaman and place him in a hierarchy of ocean gods in Justice League: Drowned Earth (2018). Manta still has a plan and although Aquaman won the first round, the mid credits scene suggests that Manta will be ready next time around and maybe give audiences a taste of The Empire Strikes Back (1980) for the Aquaman sequel, with Arthur losing a hand. As important as it is to him to be ruthless, the sequel should also give us better insight into what makes Kane tick and use flashbacks to his youth. He’s a genius hacker who loves Depeche Mode and it’s definitely a headspace worth spending some time in. Hopefully the sequel gives it the right build up with a pulp title like Aquaman: The Wrath of Black Manta.

Stephen shin

AquamanThe mid-credits scene also suggested that when Black Manta returns, he will have an ally. Marine biologist Dr Stephen Shin (Randall Park) appears as a talking head in various media throughout the film, claiming to know of the existence of Atlantis – something the rest of humanity is not yet aware of. Shin is a newer character, introduced in John’s Aquaman series. He started out as an ally of young Arthur Curry and helped him perfect his developmental powers, but turned on Arthur and revealed it to the media when the boy denied him the location of Atlantis. When Black Manta searches for him years later to help him gain access to King Atlan’s tomb and the artifacts it contains, a remorseful Shin refuses him, unwilling to betray Aquaman again. The film version of Shin doesn’t appear to have a history with Arthur and seems willing to work with Manta in order to gain access to Atlantis. While Shin is unlikely to be a full-fledged antagonist, he could point to the selfish nature of man and the fears of the surface world. His plans to exploit Atlantis would likely reveal the lost continent to the rest of the world and force Aquaman to act not only as a hero, but also as a diplomat.

Orm / Master of the Oceans

Another of Aquaman’s most frequently appearing enemies, Orm has always been Aquaman’s half-brother, but his parentage and physiology have changed over the decades. Originally entirely human and jealous of his brother’s powers, Orm sought to control the throne and used technology to create natural disasters. The version we see in the movie is, again, directly tied to Johns’ take on the character. Fortunately, the movie doesn’t kill Orm, but instead has him defeated and removed from his throne. Ocean Master, like Magneto and Loki, seems destined to be one of those characters whose presence is always felt, in order to contrast with Aquaman. The sequel would do well to keep Orm imprisoned for most of the duration of the film and let him chat with Arthur about their different views behind the walls. It would be appropriate after these discussions that Arthur and Orm start to get closer, only for Orm to escape and settle down. Throne of Atlantis for the third film. Throne of Atlantis (2012) is the culmination of Johns’ run and sees Aquaman fighting alongside the Justice League when Orm finally brings war to the surface, drowning towns and leading an army of loyalists against the military forces of Earth. . It’s the kind of story that feels like it’s destined to be a trilogy, and maybe if we’re lucky we’ll see Wan get his hands on the Justice League and make the movie a real event.


Of course, the Acolytes aren’t exactly considered mainstream anymore, and the DC Movie Universe has so far done nothing to set up their introduction except for brief mentions of a dead Robin in Batman vs. Superman (2016) and Suicide Squad (2016). But a lot of what makes the DC Universe so appealing is the emphasis on the legacy characters. From Robin’s transition to Nightwing and Wonder Girl’s transformation to Troia, DC Comics showcased some of the best sidekick shards. Among these is the transformation of Aqualad into Tempest. There have been a few Aqualads, the first being Garth and the second being Jackson Hyde, the son of Black Manta. It’s too early for Hyde to make an appearance, but Garth appears to be a serious contender to add new dynamics to the sequel. He doesn’t have to be a 12-year-old boy or even call himself Aqualad outside of a wacky reference. Instead, this portrayal of Garth could borrow from recent comics where he is an Atlantean wizard in his early twenties. Garth / Tempest would be the perfect way to focus on Atlantean magic, which we’ll come back to. In the comics, Garth was an outcast because of his purple eyes, a mark of the mystical Atlantean tribe in exile, the Idyllists. The appearance of a young man with purple eyes could give Aquaman a secondary conflict to deal with in the film, as the superstitious and archaic nature of the Atlanteans is put to the test by a decidedly modern king.

Atlantean History

If there was one thing Aquaman could have used more was a greater sense of Atlantis in its heyday. We had a brief glimpse into Atlan’s Rule before Atlantis sank, but there has been a lot in the past for Aquaman suites to mine too. Peter David and Esteban Maroto The Chronicles of Atlantis tells the whole story of Atlantis, a story based on siblings in conflict. The seven-issue maxi-series is one of DC’s best publications and if not used in Aquaman sequels, this could easily be the basis of a DC Universe show that works in a way similar to Syfy’s. Krypton. Even though we don’t see many flashbacks in the Aquaman Following, the Atlantean story should once again lead the movement of the plot. One of the main factors contributing to AquamanThe unique feel and tone of ‘s was the focus on the quest storyline. While the sequel should certainly offer more than just finding another McGuffin, it would still be welcome to see Aquaman and Mera travel the world’s oceans, possibly the Arctic, in search of another artifact. atlante who could change the future. Much of modern Atlantis we see in the movie is based on science, but magic is also a key part of the comic book myth. Looking for something to do with the Atlantean wizard Arion that would reintroduce magic to Atlantis to combat the technologically savvy Black Manta would be a good opportunity to expand this world. It could also be a way to bond with Wonder Woman, whose Amazonian sisters shared both a pantheon of gods and many secrets with the Atlanteans before their shipwreck.

Of all the worlds DC currently has at its disposal, Aquaman’s is perhaps the most exciting. Not only is this a breath of fresh air from the cityscapes and space travel of other superhero movies, but it’s an area audiences are completely unfamiliar with. There’s a lot of waiting right under the sea, and for longtime fans of the character and those new to Aquaman, Wan’s film promises an exciting future not only in terms of the franchise, but for the film universe as well. DC as a whole. Long live the king.

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BIG, James Corner, SCAPE and Bionic unveil proposals for the Resilient by Design Bay Area challenge Tue, 22 May 2018 07:00:00 +0000

The Resilient By Design for one year | The Bay Area Challenge Ideas Competition sought to use community-led green design to “develop innovative solutions that will strengthen [the Bay Area’s] resilience to sea level rise, severe storms, floods and earthquakes. Last week, the nine teams working with communities and local organizations on the competition unveiled final proposals for a set of sites scattered across the San Francisco Bay Area.

The nine sites represent a collection of some of the region’s most ecologically sensitive areas, places that could experience dramatic changes over the next few decades as climate change sets in. The initiative aims to start repositioning these areas – some are densely populated while others are home to vital regional infrastructure – for a future marked by climate change. For the competition, design teams led by Bjarke Ingels Group (BIG), James Corner Field Operations (JCFO), Tom Leader Studio (TLS) and others continue their efforts to restore regional wetlands and riparian floodplains throughout by reorienting infrastructure investments and development based on these new landscapes.

The proposals have been developed to be workable strategies. Next, communities and designers will work with regional, state and federal agencies to fully implement their plans. The nine proposals are distributed below:

Plan view of Grand Bayway. (Courtesy of Common Ground)

The Great Bay

The Common Ground team led by TLS Landscape Architecture proposes to extend Highway 37 across San Pablo Bay by designing an elevated scenic causeway that would allow riverside landscapes to flow under the new multimodal artery. The team proposes to deploy the causeway brilliantly by dividing various traffic lanes into viaducts that wind through the landscape, including a large ‘mobility loop’ encircling rich recreation areas.

The design team is made up of Exploratorium, Guy Nordenson & Assoc., Michael Maltzan Architecture, HR&A Advisors, Sitelab Urban Studio, Lotus Water, Rana Creek, Dr. John Oliver, Richard Hindle, UC Berkeley and Fehr & Peers Transportation Consultants .

View of our HOUSE proposal. (Courtesy of the host team)

our house

The our-HOME project proposes to roll out a package of land use reforms to encourage small housing, community land trusts, social impact bonds and new community infrastructure to prepare the community of North Richmond for climate change. The proposal calls for the construction of a new “horizontal dike” around the city that will protect it from potentially toxic runoff that could emanate from a nearby gasoline refinery during a flood. The vision also calls for the planting of 20,000 new trees to help “bring the swamp to Main Street,” an effort that aims to preserve and build on the existing community wealth in the predominantly African-American and Latin enclave. American.

The team is led by San Francisco-based architectural firm Mithun and includes Chinatown Community Development Center, ISEEED / Streetwyze, BioHabitats, Integral Group, HR&A Advisors, Moffat & Nichol, ALTA Planning, Urban Biofilter, and Resilient Design Institute.

View of the Estuary Commons proposal. (Courtesy of All Bay Collective)

Municipalities of the estuary

The Estuary Commons plan creates a new network of ecologically focused public spaces along the areas surrounding the estuaries of San Leandro Bay in Alameda County. The proposal calls for investments in green cycle lanes, secondary housing and inclusive zoning reforms in order to “build resilience within the community”. The offer focused on social and environmental justice also calls for burying a section of Interstate-880 through downtown Oakland to address past planning errors.

The All Bay Collective – composed of AECOM, CMG Landscape Architecture, University of California, Berkeley- College of Environmental Design, Berkeley Center for New Media, The Terner Center, California College of the Arts, IDEO, Silvestrum, SKEO, modem and David Baker Architects— is at the origin of the project.

View of the public sediment plan for the Alameda stream. (Courtesy of public sediments)

Public sediments for the Alameda stream

The Public Sediment for Alameda Creek plan calls for reconnecting sediment flows between Alameda Creek and the bay’s wetlands to create a natural and ecologically rich defense against flood waters. The project revises the currently static flood control canals that crisscross the southwestern edge of the bay into redesigned estuaries, sediment traps and berms that facilitate sediment accumulation while allowing public use and natural habitats.

The team is led by SCAPE Landscape Architecture and also includes Arcadis, Dredge Research Collaborative, TS Studio, UC Davis Department of Human Ecology and Design, UC Davis Center for Watershed Sciences and Buoyant Ecologies Lab.

View of the South Bay Sponge proposal. (Courtesy of the Field Operations Team)

South bay sponge

South Bay Sponge’s proposal seeks to use a mixture of cut and fill excavations and zoning interchanges to build densely on the heights along the southern edge of the bay in San Mateo and Santa Clara counties. The plan would create networks of “sponge” landscapes that absorb tidal currents and runoff, efforts that would involve reorganizing the urban fabric in these areas into dense residential nodes surrounded by water-friendly landscapes.

The design team behind the proposal includes JCFO, Moffatt & Nichol, Magnusson Klemencic Associates, SF BAY National Estuarine Research Reserve, Romberg-Tiburon Center, SFSF, Andrea Baker Consulting, James Lima Planning + Development, The Bay Institute , SeArc / ECOncrete, HT Harvey and Associates, and Adventure Pictures.

Aerial view of the Resilient South City proposal. (Courtesy of the Hassell + team)

Resilient Southern City

The Hassell + team proposes to create additional public green space and a continuous public access road along Colma Creek south of San Francisco, which would also serve as storm surge absorbing infrastructure. The plan aims to reduce the impacts of flooding by using a network of greenways and municipal parks to restore native ecologies. These areas would manage runoff from existing neighborhoods, creating new open public spaces along the way. The plan would revamp the city’s urban waterfront and make restorative changes to Orange Memorial Park.

The project team includes Lotus Water, Civic Edge, HATCH, Brown & Caldwell, Idyllist and Page & Turnbull.

View of the Islias Hyper-Creek proposal. (Courtesy of BIG + ONE + Sherwood Team)

Hyper Stream Islands

BIG, ONE and Sherwood have teamed up for Isle Hyper Creek

Vision, a plan that aims to restore the native landscapes around the stream while creating new nodes of water town planning. The team plans to transform vast expanses along the creek into natural habitats and parks, with new technologies clustered together and industrial hubs scattered throughout the city. The proposal is described as “an opportunity to integrate the existing industrial ecosystem into the next economy”.

The design team also includes Moffat & Nichol, Nelson Nygaard, Strategic Economics, The Dutra Group, and Stanford University.

Proposed view of the community planning effort undertaken through the People’s Plan. (Courtesy of Permaculture + _ Social Equity Team)

Design our own solutions

The Permaculture and Social Equity team proposes to use social design as a way to build a vision for Marin City, a diverse working-class enclave located just north of San Francisco. The team’s social design project involved significant community engagement and is focused on equity, place creation, and public ownership.

The team is made up of Pandora Thomas, Antonio Roman-Alcala, the Urban Permaculture Institute, Ross Martin Design, Alexander J. Felson and the Yale School of Architecture.

View of the proposed urban areas in San Rafael. (Courtesy of the Bionic team)

Raising San Rafael

The Elevate San Rafael plan proposed by the Bionic team which proposes to reorganize the small town of San Rafael, drawing its edges from flood-prone shores while building higher altitudes with dense housing and public infrastructure. The proposal would reallocate underutilized land into floodplains flanked by housing, add floating recreational islands to the bay, and create artificial reefs along the bay’s bottom.

The plan proposes to combine “proven approaches to coastal adaptation with a moral, financial and infrastructural agenda” as a means of adequately planning the city’s future. The team is made up of landscape architects Bionic, WXY, PennDesign, Michael Yarne, Enterprise, Moffatt & Nichol, WRA, RMA, SF State, Baycat, Studio for Urban Projects, RAD Urban and KMA.

For more information on the proposals, see the Resilient By Design Bay Area Challenge website.

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HASSELL + MVRDV Proposal to Improve Bay Area Disaster Resilience Fri, 09 Feb 2018 08:00:00 +0000

HASSELL + MVRDV Proposal to Improve Bay Area Disaster Resilience

In the wake of recent natural disasters, including wildfires in northern California, the HASSELL + team were inspired to reinvent the San Francisco Bay Area into a vibrant community center, equipped to provide temporary facilities. in case of emergency. As part of the Resilient by Design competition, the ten teams were invited to provide solutions for the seafront through site-specific conceptual design and collaborative research projects.

Courtesy of MVRDV and HASSELL +Courtesy of MVRDV and HASSELL +Courtesy of MVRDV and HASSELL +Courtesy of MVRDV and HASSELL ++ 13

Courtesy of MVRDV and HASSELL +
Courtesy of MVRDV and HASSELL +

The HASSELL + team’s proposal incorporates a network structure of “connectors” and “collectors” to improve the physical and social resilience of the waterfront. The recharged streets, coves and the improved ferry network are the “connectors” which will become new, slow and safe corridors of movement to collection points, including adaptive open spaces that will socially recharge the area as a place of daily gathering and civic celebration that can also provide the living space needed for the disaster assembly.

Courtesy of MVRDV and HASSELL +
Courtesy of MVRDV and HASSELL +
Courtesy of MVRDV and HASSELL +
Courtesy of MVRDV and HASSELL +

The team led by HASSELL draws on their range of international perspectives; MVDRV, Deltares and Goudappel; bring their rich experience to design and understand urban landscapes around water. In partnership with local experts – Lotus Water, Civic Edge, Page & Turnbull, Hatch and Idyllist – they envisioned the social potential the waterfront could offer to communities.

Courtesy of MVRDV and HASSELL +
Courtesy of MVRDV and HASSELL +

HASSELL previously worked with the Sydney Waterfront where they took functional items and turned them into cultural icons that shape the city’s branding. Their experience led them to create a socially sustainable master plan for the San Francisco Bay Area focusing on a range of different elements to help boost vulnerable communities, healthcare and local businesses. They believe that when designing for a disaster it is important to think about how you will adapt and deal with the challenges resulting from climate change and rising temperatures.

Courtesy of MVRDV and HASSELL +
Courtesy of MVRDV and HASSELL +

By applying its “collect and connect” concept to the proposed sites, HASSEL + envisioned a new coastal park at Colma Creek. In order to reflect the needs of the community, HASSELL + will be setting up a visitor center during the design process along Grand Avenue which is on its way to becoming a thriving center. By working with the locals, they can draw on their ideas and opinions for the design solutions that will be presented in May. In addition to the Visitor Center, there will also be the ability to access a digital platform to view Bay Area plans and get involved in decision making.

  • Location

    San Francisco, California, United States

  • Architect in charge


  • MVRDV design

    Winy Maas, Jacob van Rijs and Nathalie de Vries

  • Design team

    Nathalie de Vries, Jeroen Zuidgeest with Kristina Knauf and Vedran Skansi

  • Collaboration

    HASSELL + (HASSELL, MVRDV, Deltares, Goudappel, Lotus Water, Frog Design, Civic Edge, Idyllist, Hatch, Page & Turnbull)

  • Customer

  • Project year


  • Photographs

    Courtesy of MVRDV and HASSELL +

  • Architects

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News via: HASSELL.

Resilient by Design Announces Ten Winners Ready to Reimagine the Bay Area

From a pool of over fifty submissions, Resilient by Design chose ten winning teams to collaborate with engineers, climate change experts, designers, architects and community members to imagine a better future. for The Bay Area in the face of potentially devastating climate change.

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On Heinrich Böll’s birthday, his son looks back at the Nobel Prize winner | Culture | Reports on the arts, music and lifestyle in Germany | DW Thu, 21 Dec 2017 08:00:00 +0000

René Böll, one of Heinrich Böll’s two surviving sons, is busier than ever giving interviews on the occasion of his father’s centenary. A visual artist and former publisher, the 69-year-old also writes poetry and is his father’s executor. He is also co-founder of the Heinrich Böll Foundation.

Son René Böll manages his father’s estate

He was candid in an interview with author Tanja Dückers at the Berlin International Literature Festival this fall about how he thinks his father is viewed these days, what marked him as a writer, and on the ups, downs and public conflicts of the past.

Author for ordinary people

Heinrich Böll was born in Cologne in 1917 and grew up in a lower middle class Catholic family. Years later, in 1971, the national daily Frankfurter Allgemeine Zeitung called it an “idyllic laundry stench” and “honorable nuisance in our country”. René noted: “He looked at his own texts and replied:” But a laundry room does not even appear in my texts. “” added the son: “He has never even set foot in a laundry room.”

Nachlass von Heinrich Böll

One of the many objects from Heinrich Böll’s estate: a family photo taken in Ireland, 1958

Struggling with post-war Germany

René gets serious as he reflects on his father’s basic attitudes, relating a story that the elder Böll never distinguished between ordinary and exceptional people. Criticism of his literature in this regard is wrong, he believes, as one of his father’s strengths was that he was able to put himself in other people’s shoes. This can be seen in the post-war works which first caught his attention, such as “Wanderer, kommst du nach Spa …” (Stranger, Bear Word to the Spartans We …), published in 1950 , as well as in his later “Briefe aus dem Krieg” (Letters of War), published 16 years after his death in 1985.

“I think these things were essential for him – that people were equal everywhere,” said René. “Arrogance and vanity, class distinctions and above all a subordinate mentality were completely foreign to him.

Heinrich Böll (r) received the Nobel Prize for Literature in 1972

Heinrich Böll (r) received the Nobel Prize for Literature in 1972

Böll’s writings in the 1950s and 1960s reflected factional conflicts between former Nazis and dissidents, books such as “Billard um halb zehn” (Billiards at half past nine) and his bestselling 1963 novel “Ansichten eines Clowns ” (The clown). He was a political author who scored successful novels such as the 1971 “Gruppenbild mit Dame” (Group Portrait with a Lady). Celebrated in Germany, he gained worldwide fame when he was awarded the Nobel Prize for Literature in 1972.

Political conscience or author?

Soon after, the public had a different take on Böll. Shortly after receiving the Nobel Prize, Böll published an appeal to the German Red Army faction in the news magazine Der Spiegel while criticizing the way the Bild The tabloid reported on Ulrike Meinhof and the Baader-Meinhof group, a militant left-wing terrorist cell. Der Spiegel published Böll’s essay and titled “Will Ulrike Gnade oder freies Geleit?” (Does Ulrike want mercy or a safe-conduct?)

“This article was of course serious business, especially because Der Spiegel changed the title, ”said René Böll. “My father always said ‘Ulrike Meinhof’, never ‘Ulrike’. The intimacy involved in simply using his first name did not exist, he noted. son believes.

“What followed was a storm of newspaper articles attacking my father and even our entire family,” said René. “There were tirades in the German Parliament, where he was called insignificant and ignorant. And the right-wing press called him a communist and anarchist.”

Contemporary again

Heinrich Böll, writer Günter Grass and Chancellor Willy Brandt, 1970

Heinrich Böll (l) with writer Günter Grass and Chancellor Willy Brandt, 1970

Despite the protests, Böll succeeded. His most famous work, “Die verlorene Ehre der Katharina Blum” (The Lost Honor of Katharina Blum), was published in 1974. Böll accused the Springer, publisher of Bild, of “pure and simple fascism”. His contribution to the debate on violence in the 1970s sold over two million copies, has been translated into 30 languages, and was made into a film by German director Volker Schlöndorff.

13 of Böll’s books have become films. From 1970 he was president of the German chapter of poets, essayists, novelists (PEN), and from 1972 to 1974 chaired the international chapter of this association of writers.

“My dad could describe very simple things in an incredibly beautiful way,” said René. “I think ‘Billiards at Half-Past Nine’ is still grossly underrated.”

Heinrich Böll has recently become popular again as a written witness to past periods of post-war Germany. “Ulrich Greiner, in the weekly Die zeit, recently wrote that “People haven’t even discovered the literary quality of Böll’s works,” said René. ” I agree. “

“Very few books are sold, but there are still millions lying around,” he added. How many are thrown away and how many are taken off the shelves and read?

War diaries

The last of Böll’s work was published last October by Kiepenheur & Witsch: “Man möchte manchmal wimmern wie ein Kind” (Sometimes you want to whine like a child. The War Diaries, 1943-1945). Enlisted in the Wehrmacht, Böll served on the Russian and French fronts in World War II, was wounded four times, and eventually landed in a US POW camp.

Heinrich boll

Böll would have written about “ordinary people”

“My father had three little pocket calendars with him,” says René, who painfully deciphers a few notes and doodles. “He wrote in the trenches and in military hospitals, using a pencil or whatever he had on hand.”

“Sometimes his experiences were almost impossible to convey. Instead, it was just words: hunger, despair, fear, how an officer was shot down next to him,” René noted.

The newspapers end with the release of Heinrich Böll from the prison camp. Their release this fall also comes full circle: in commemoration of his 100th birthday and 22 years after his death, a reassessment of his works has started in Germany.

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Lee MacCormick Edwards made his mark in philanthropy, art history and photography Fri, 09 May 2014 07:00:00 +0000

Edwards has lectured and taught extensively in the United States, Europe and Australia, specializing in the arts and social history of the 19th century. From 2002 to 2008, she sat on the art history faculty of her alma mater. the Australian Dictionary of Biography observed of his grandfather MacCormick: “Taciturn by nature, he did not like to lecture and was not good at it, but taught by example and was always ready to answer questions. Her granddaughter, however, was natural – enthusiastic, engaged and supportive.

At a lunch at Schloss Fuschl in Salzburg in August 1989, Edwards met Michael Crane, an artist of Scottish descent who had worked at the Marlborough Gallery in London in the 1970s. A lasting union followed and in April 2013, they got married. The Salzburg Festival, in which they participated for 30 years, was a common passion. In 2005, Edwards received the Goldene Kreuz from the State of Salzburg for his work as the head of the American Friends of the festival.

Edwards and Crane got a lot out of their many years in Manhattan, spending weekends on Long Island and vacations in their Vail apartment. They have actively supported major New York institutions – the Metropolitan Museum of Art, the Whitney, the Frick and MOMA, the Metropolitan Opera and the New York City Ballet. From 2002 to 2013, Lee was president of the International Festival Society, which awards grants to promising young American classical musicians at the dawn of their professional careers.

His book Herkomer: a Victorian artist, on portrait painter and social-realist Hubert von Herkomer, was hailed by a critic as “a masterful appraisal” and received the Henry-Russell Hitchcock Award from the Victorian Society of America for the best book of 2001. She followed suit. in 2008 with The Idyllists: Frederick Walker and his entourage.

Edwards also became an accomplished photographer and exhibited annually. Although much of his life was lived in America and Europe, his heart had always been in Australia. His last photographic exhibition in America was at the Heimbold Visual Arts Center at Sarah Lawrence College in November 2012. It was titled My world and presented his native Australia.

As she wrote, “I wanted to show a diverse yet interconnected set of images of the colorful and bright environments that inspire me. Whether it’s water shimmering in the glow of the Australian sun, scenes from void in the outback, exotic animals and birds, or serene European lakes, these elements, with their beautiful colors and shapes, are part of a larger space – a whole world to me. “

In October 2013, Edwards decided to donate a number of his photographs to an exhibition to support the Garvan Institute and St Vincent’s Curran Foundation and their work on ovarian cancer, bearing the cost the framing of the works and the staging of the exhibition itself. The exhibition, Capture the moment, was well received and raised significant funds for the cause.

Edwards, referring to one of his photos, the picture of a dinghy towed behind a rowboat near Bobbin Head, wrote: “He looked so sad all alone in the back, but he did a lovely wake and the surrounding eucalyptus shores added color and energy. “She continued,” An American friend, who purchased the picture for my show, said the boat was a metaphor for me – surrounded by water and nature that I love so much. Oh my God! . You can read whatever you want there. “

She was also thrilled that Sydney City Hall had acquired a huge photo of the Garden Island Hammerhead Crane for their collection.

Her philanthropy at home has extended through her membership on the Board of Trustees of the National Gallery of Australia Foundation and as an American friend of the National Gallery of Australia. She has also supported the Australian Ballet and Opera Australia.

Her final year was spent, with the unwavering support of her husband, in their apartment in Edgecliff where she overlooked Sydney Harbor, across from the former family home, Kilmory, at the Royal Prince Edward Yacht Club. , founded by her grandfather and from where she had undertaken many trips in his kayak. Old school buddies and new friends gathered around her, marveling at her courage and good humor.

Lee MacCormick Edwards is survived by Michael and his daughter, Alison.

Charles Curran and Mark McGinness

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