Van gogh – The Idyllists Fri, 24 Sep 2021 18:00:00 +0000 en-US hourly 1 Van gogh – The Idyllists 32 32 Immersive digital art exhibition on Van Gogh opens in Cleveland Fri, 24 Sep 2021 18:00:00 +0000

CLEVELAND – After sold out in Chicago, Los Angeles and New York City, a one-of-a-kind digital art exhibit has made its way to Ohio.

What would you like to know

  • Interactive Van Gogh uses cutting-edge technology, theatrical storytelling and world-class animation.
  • It presents 400 images of Van Gogh’s art
  • The exhibition is open in Cleveland and will open in Columbus in October

Immersive Van Gogh transports visitors to the works of artist Vincent Van Gogh using cutting-edge technology, theatrical storytelling and world-class animation.

The original exhibition is the latest creation by Italian film producer Massimiliano Siccardi whose work was recently highlighted in the Netflix series ‘Emily in Paris’.

“We have over 400 images of Van Gogh‘s art that we have licensed in museums around the world,” producer Corey Ross said. “Then Siccardi deconstructs them, animates them, then maps them to the walls inside the building where we show the exhibition. “

The new approach to Van Gogh’s work allows visitors to browse the exhibition as the art moves around them. The exhibit also includes a free narrative, which immerses visitors in the mind of Van Gogh using over 60,000 video images and over 500,000 cubic feet of projections.

Immersive Van Gogh has already started its run in Cleveland. The exhibition opens in Columbus in October.

For more activities around Ohio, click here.

Source link

]]> 0
Frida Kahlo Last Self Portrait Auctioned – Van Gogh and Frans Hals: X-Con Theft Trial Thu, 23 Sep 2021 11:34:48 +0000

Frida Kahlo’s latest self-portrait set to reach $ 30 million

Sotheby’s is auctioning an important self-portrait of Mexican artist Frida Kahlo. The 1949 self-portrait, Diego y yo (Diego and me), is the last fully completed bust self-portrait, completed before his death in 1954. It will be offered as a featured lot in the Modern Night Sale in New York. . This historic work is estimated at over $ 30 million.

Diego y yo is a quintessential example of the singular approach to the portrait of Frida Kahlo

Intense and moving, this vital work by the beloved and renowned artist is on the verge of breaking its current auction record of $ 8 million reached in 2016 and could become the most important Latin American work of art. most valuable ever auctioned. The Modern Evening Sale, formerly Impressionist & Modern Art Evening Sale, will inaugurate a larger reorganization of Sotheby’s General Fine Art’s evening sales categories taking effect in November in New York. (More details to be announced at a later date.) Diego y yo will be on display to the public October 7-11 in Hong Kong and October 22-25 in London before returning to New York for an exhibition ahead of the November sale.

Brooke Lampley, President and Global Sales Director of Sotheby’s for Global Fine Art, said: Beyond. Offering this portrait in our Modern Evening Sale in November heralds the recent expansion of the Modern category to include greater representation of under-represented artists, especially women artists, and rethink how they have historically been valued at auctions.

Julian Dawes, Co-Head of Impressionist and Modern Art at Sotheby’s in New York, said: “A Kahlo painting of this quality and excellence is a rarity at auction. When I look at this painting, the expression “abre los ojos”, in Spanish for “open your eyes”, immediately comes to mind. In a literal sense, it refers to Kahlo’s penetrating gaze as the model of the portrait (and Rivera’s double portrait), but I think it also symbolizes the incredible moment this painting will surely usher in for Kahlo, as the market grows. ‘opens. her eyes on Kahlo in a new way and secures her place in the auction echelon to which she belongs.

Top Photo courtesy of Sotheby’s

Van Gogh and Frans Hals: X-Con goes on trial

A man is currently on trial for theft of paintings by Vincent Van Gogh, and Frans Hals could face a sentence of up to eight years. Dutch prosecutors have linked DNA evidence to a photo frame found in the museum’s parking lot. A positive correspondence with a database led to the arrest of Nils M, a 59-year-old man who had already served a five-year prison sentence for stealing silver items from a museum in Gouda in 2012.

CCTV footage of the theft last year showed a man using a hammer to smash two glass doors in order to enter the museum. He left with the painting under his arm. Van Gogh’s first painting had an insured value of 2.5 million euros (approximately $ 2.9 million). The Hals were valued between 10 and 15 million euros (between 11.7 and 17.6 million dollars) – were not recovered.

Photo: Vincent van Gogh ‘The rectory garden in Nuenen in spring.’ Courtesy of the Groninger Museum

Firstsite Selected Art Fund Museum of the Year 2021

Firstsite Selected Art Fund Museum of the Year 2021

Firstsite, a public gallery in Colchester that has had to fight for funding from the Arts Council, was announced as the winner of the Art Fund Museum of the Year 2021, in a ceremony held at the Science Museum in London and hosted live on the BBC.

Celebrating its 10th anniversary, Firstsite is a contemporary art organization presenting a diverse mix of historic, modern and contemporary art from around the world in an inclusive environment. He has built a solid and critical reputation, maintaining long and deep relationships with artists and the local community.

During the pandemic, it mobilized at high speed to support local populations, loaning its building to a neighboring charity, Community 360, to manage a food bank. Within days of the lockdown, Firstsite created activity packs featuring over 50 artists and downloaded by over 92,000 homes. The organization ran The Great Big Art Exhibition, which encouraged people to display their art in their windows during the lockdown to create a nationwide gallery. Michael Landy’s Welcome to Essex exhibition was loved by thousands of visitors.

In response to Black Lives Matter, Firstsite commissioned Elsa James to make a downloadable work in solidarity and continued the Super Black festival celebrating black culture in Essex. Other important initiatives have included My name is not Refugee, an arts council collection curated by clients of Refugee Action Colchester, and Art For Life, an NHS-commissioned exhibit with key workers to help understand the impact of Covid-19 on mental health.

Jenny Waldman, Director of the Art Fund and Chair of the Art Fund Museum of the Year Judges, said: “We are proud to announce Firstsite in Colchester as the Art Fund Museum of the year 2021. They are an outstanding example of innovation and integrity, from inspiring everyone to turn their windows into a national gallery during lockdown to feeding local children during school vacations. At their heart lies an art powerful and engaged contemporary housed in a gallery that gives space to everyone from artists and NHS staff to local families and refugee groups. They exceeded our expectations. Here is a small organization that sees great and caring for its local community. Here is excellence in Essex. ‘

The winner was one of the five finalists. The other shortlisted museums were: Center for Contemporary Art Derry ~ Londonderry (Derry ~ Londonderry, Northern Ireland), Experience Barnsley (Barnsley, South Yorkshire, England), Thackray Museum of Medicine (Leeds, West Yorkshire, England) and Timespan (Helmsdale , Sutherland, Scotland). Each of the other finalist museums receives a prize of £ 15,000 in recognition of their achievements.

This year’s jury members are: Maria Balshaw, Director of Tate and President of the National Museum Directors’ Council; Edith Bowman, host; Katrina Brown, director of The Common Guild; administrator of the Art Fund; Suhair Khan, strategic project manager at Google, artist Thomas J Price and Jenny Waldman, director of the Art Fund.

Photo: Courtesy of the Art Fund

Read more


Similar Items

Source link

]]> 0
Newly identified Van Gogh drawing is on display for the first time Wed, 22 Sep 2021 15:12:16 +0000

From left to right: “Study for Worn Out”, “Worn Out” and “Eternity’s Gate”.

Vincent van Gogh is known to have one of the most iconic art styles of all time. Both in drawing and painting, his art is distinguished by an expressive use of line and color. Now fans of his work can take a look at a newly identified sketch, which will be on display at the Van Gogh Museum until January 2, 2022.

The “new” pencil sketch, titled Study for worn, resembles other pieces of the Dutch master’s work, in particular the drawing Exhausted and painting At the gates of eternity. Like the others, it represents an old man sitting on a chair and holding his head in his hands. “As a knowledge center dedicated to the work of Vincent van Gogh and his contemporaries, we welcome this discovery, with which we have once again done justice to our area of ​​specialization”, says Emilie Gordenker, Director of the Museum. Van Gogh. “It is quite rare that a new work is attributed to Van Gogh. We are proud to be able to share this first drawing and its history with visitors to our museum.

It came into the possession of the Van Gogh Museum when a Dutch family asked specialists to take a look at their unsigned drawing. After some time, the staff officially recognized the piece as an official work of Van Gogh. “In stylistic terms, this fits perfectly into the many figure studies we know from Van Gogh’s time in The Hague and the link with Exhausted is obvious, ”says Teio Meedendorp, senior researcher at the Van Gogh Museum. Experts have also clarified the exact time the drawing was made, which is most likely at the end of November 1882, when the artist was only 29 years old. Meanwhile, Van Gogh wrote in his letters to his brother Theo and to artist Anthon van Rappard about the development of Exhausted.

“The artist started out by drawing a grid on the paper, which tells us that he worked with a perspective frame to help him quickly capture a figure with the right proportions,” Meedendorp continues. “He then worked the leaf in his characteristic expressive drawing style: not refined, but with streaks and energetic strokes and precise outlines, seeking a pithy image with particular attention to the effects of light and light. shadow. Additionally, the 9 “x 12” sketch also features materials used in other Van Gogh drawings, including a carpenter’s pencil, heavy watercolor paper, and water and milk fixer.

Study for worn will be on display on the first floor of the permanent collection of the Van Gogh Museum until January 2, 2022. It will be on display alongside other works from the same period, including the drawing Exhausted.

A newly identified drawing by Vincent van Gogh is on display for the first time at the Van Gogh Museum in Amsterdam.

Sketch for Worn Out by Vincent van Gogh

Vincent van Gogh, “Study for Wear”, 1882 (Photo via the Van Gogh Museum)

This sketch is similar to another drawing by the Dutch artist titled Exhausted, as well as a table entitled Grieving old man (at the door of eternity).

Worn drawing by Vincent van Gogh

Vincent van Gogh, “Worn Out”, 1882 (Photo: Van Gogh Museum via Wikimedia Commons, public domain)

It will be visible on the first floor of the permanent collection of the Van Gogh Museum until January 2, 2022.

At the door of eternity Painting by Vincent van Gogh

Vincent van Gogh, “Sorrowing Old Man (At Eternity’s Gate)”, 1890 (Photo: Kröller-Müller Museum via Wikimedia Commons, public domain)

Van Gogh Museum: Website | Facebook | Instagram

h / t: [Smithsonian]

Related Articles:

Researchers find Van Gogh-illustrated bookmark hidden in novel after 135 years

How Van Gogh’s “The Starry Night” was born and continues to inspire artists

Dutch museums unveil free digital collection of more than 1,000 works by Van Gogh

Source link

]]> 0
Out of print subject of newly assigned Van Gogh sketch embodies us all right now Tue, 21 Sep 2021 18:59:01 +0000

The history of art

#art history #drawing

September 21, 2021

Grace Ebert

“Study for ‘Worn Out'”, circa November 24, 1882, pencil on paper, approximately 48.8 x 30 centimeters. Courtesy of the Van Gogh Museum

Hunched over, face hidden in his palms, the tired subject of a sketch recently attributed to Vincent van Gogh (previously) embraces the collective spirit of 2021. The strangely prescient drawing, titled “Study for Worn Out,” dates back to 1882 in early life of the Dutch artist when he stayed in The Hague. A recurring model, this elderly and exhausted man resided in the Dutch Reformed Hospice for Men and Women, a place Van Gogh frequented when he searched for subjects. “In drawings like these, the artist has not only displayed his sympathy for the socially disadvantaged, in no way inferior in his eyes to the well-to-do bourgeoisie,” a statement said. “He actively called attention to them as well.”

As the name suggests, the pencil drawing is a preliminary rendering of van Gogh’s recognizable “Worn Out” and is also reminiscent of the “At Eternity’s Gate” lithograph. The piece is a unique find in the artist’s work given its stature, and it follows the discovery of a bookmark in June that has been hidden for over a century.

“Study for ‘Worn Out'” is on view at the Van Gogh Museum until January 2, 2022, when it will be returned to the anonymous private collector who brought it to the institution in Amsterdam to confirm its authenticity.

#art history #drawing

Are you interested in stories and artists like this? Become a colossal member and support independent art publishing. Join a community of like-minded readers who are passionate about contemporary art, help us support our interview series, access partner discounts and more. Join now!

Source link

]]> 0
The Vincent Van Gogh exhibition at the Cleveland Museum of Art is now open Tue, 21 Sep 2021 15:23:00 +0000

CLEVELAND – A new exhibition featuring four works by Vincent Van Gogh is now available at the Cleveland Museum of Art.

The exhibition presents two paintings of masterpieces and two works on paper. One of the paper works of art is an etching, the only one ever created by Van Gogh.

The exhibition is available at the Nancy F. and Joseph P. Keithley Gallery.

Here is a look at each work of art in the exhibition:

Les Grands Platanes (Bronniers in Saint-Rémy)

Vincent Van Gogh | Cleveland Art Museum

Van Gogh captured the yellowing leaves on fabric with a pattern of small red diamonds, visible in the many unpainted areas of the image. After painting this composition, Van Gogh used it to produce a second version in the studio known as The Road Menders in Saint-Rémy (Phillips Collection, Washington, DC). Painted on a traditional canvas covered with a base coat, the second version is more sober, the yellows balanced by larger areas of cool color.

Two poplars in the Alpilles near Saint-Rémy

Two poplars in the Alpilles near Saint-Rémy

Vincent Van Gogh | Cleveland Art Museum

Two poplars in the Alpilles near Saint-Rémy is an autumnal landscape revealing all the power of the mature style of Van Gogh. The trees twist and lean against a darkening sky, while the intense colors applied with charged brushstrokes convey her emotional reaction to the subject.

Dr Gachet

Dr Gachet

Vincent Van Gogh | Cleveland Art Museum

Dr. Gachet is the only etching created by the artist. The artist placed himself under the care of Dr Gachet in Auvers-sur-Oise, a small village on the northern outskirts of Paris, on the recommendation of his artist colleague Camille Pissarro. The Doctor was an amateur engraver himself and gave Van Gogh a varnished copper plate, helping him print it on his own small hand press. For his first attempt, Van Gogh depicted Gachet sitting in his garden smoking a pipe.

Landscape with wheelbarrow

Landscape with wheelbarrow

Vincent Van Gogh | Cleveland Art Museum

Landscape with Wheelbarrow is one of the first watercolors the artist created while living in Drenthe, a village in the northeast of the Netherlands with no modern industry. Van Gogh described the barren terrain as beautiful and serene. Created with a limited palette of green and blue, Van Gogh portrayed one of the region’s open fields illuminated by the lilac hues of the evening sky. Working with the medium, he experimented with the visible brushstrokes that would later characterize his oil paintings.

“With the increased public interest in Vincent van Gogh, we wanted to take this opportunity to present a selection of the artist’s true masterpieces,” said William M. Griswold, Director of the CMA. “We look forward to welcoming our visitors to this free facility. “

RELATED: Immersive recruitment of Van Gogh for his exhibition in Cleveland

The museum recently announced that it will require all employees, volunteers and contractors working on-site at the museum to be fully vaccinated against COVID-19 by November 1. Visitors do not need to be vaccinated, but face coverings are required inside the museum, in accordance with a policy in effect at the CMA since August 10.

Download the News 5 Cleveland app now for more stories from us, as well as alerts on top news, the latest weather forecasts, traffic information and much more. Download now to your Apple device here, and your Android device here.

You can also watch News 5 Cleveland on Roku, Apple TV, Amazon Fire TV, YouTube TV, DIRECTV NOW, Hulu Live and more. We are also on Amazon Alexa devices. Learn more about our streaming options here.

Source link

]]> 0
How did Immersive Van Gogh dominate Taylor Swift? Does anyone already have #AskaCurator? + Other questions I have about the artistic news of the week Tue, 21 Sep 2021 00:55:39 +0000

Curiosities is a column in which I preserve for posterity the “you can’t invent that” parts of artistic news.

Below, some questions asked by the events of the last week …

1) Will we still pee in Maurizio Cattelan’s golden toilet?

America, a fully functional solid gold toilet, created by artist Maurizio Cattelan, is seen at Blenheim Palace on September 12, 2019. (Photo by Leon Neal / Getty Images) “width =” 1024 “height =” 683 “srcset = “×683.jpg 1024w, 09 / maurizio-cattelan-america-300×200.jpg 300w,×33.jpg 50w “sizes =” (max- width: 1024px) 100vw, 1024px “/>

America (2016), a fully functional solid gold toilet, created by artist Maurizio Cattelan, at Blenheim Palace in September 2019. Photo: Leon Neal / Getty Images.

Last week marked the second anniversary of the brazen heist that rocked the international art world like no other: the theft of Maurizio Cattelan’s multi-million dollar gold art toilet at Blenheim Palace. Despite a reward of $ 130,000 and the (seemingly unnecessary?) Arrest of no less than seven suspects in the meantime, the BBC reported that authorities working on the toilet case have lost touch.

The case of the bowl of gold is likely to fall with the Gardner Heist as one of the great unsolved artistic crimes of our time.

The work (one of three golden toilets made by Cattelan) was insolently titled America, and was installed as a functional potty in Winston Churchill’s former bathroom at Blenheim Palace as part of the unveiling of a Cattelan retrospective, itself prophetically titled “Success is Not an Option” .

Two years after the daring early morning heist, we have to face the harsh, cold reality: The toilets may have been scrapped for their 18-karat coins. His powerful critical message – “I am a golden toilet in Winston Churchill’s house and you can pee in me” – may be lost forever.

It’s very hard to get really crazy about this. Locals mostly had fun decorating the toilets of a variety of village restaurants with gold paint. Cattelan himself said he hoped the robbery was “some sort of Robin Hood-inspired action” – then, not two months later, made a puzzling publicity for an artistic insurance company in which he strutted and assaulted, dressed only in pictures of America (among other works). The ad had the tagline “Great Artists Steal,” which I guess reads sort of like Cattelan’s endorsement of Blenheim Thieves.

So the main tragedy here was basically the water damage to Blenheim Palace and a very red face for Edward Spencer-Churchill, the founder of the Blenheim Art Foundation and brother of the 12th Duke of Marlborough. As the show approached, he had told the Sunday time—with airy and perfect pride – that the owner of America did not have to worry about the palace exhibition: “First, it’s leaden, and second, a potential thief will have no idea who last used the toilet or what he ate. So no, I don’t intend to keep it.

Leave it to a lord to think that no one would bother to steal $ 4 million in gold if they had to work and maybe get their hands dirty to do so.

And yet, hope remains. During her installation at the Guggenheim in 2018, curator Nancy Spector noted that America was “laden with possible meanings,” adding that “the equation between excrement and art has long been undermined by neo-Marxist thinkers who question the relationship between work and value.” Remember, this is a work of art whose intellectual power is so powerful that it almost brought down the Trump regime when the Guggenheim boldly offered to loan it to the White House.

And so it is possible that the burglars who took America got to the point of melting the toilet of gold into ingots, when the light of the furnace ignited in the luminous surface and the epiphany struck: “Wait, boys! Is this an unprecedented three-way synthesis of the work of Marcel Duchamp Fountain with Piero Manzoni’s Artist shit and that of Damien Hirst For God’s sake? We must save him! In art, anything is possible.

2) Immersive Is Van Gogh the arena rock of our time?

Credit to Lighthouse Immersive, the company behind "Immersive Van Gogh," within the experiment.  Photo by Ben Davis.

Credit to Lighthouse Immersive, the company behind “Immersive Van Gogh“, in the experience. Photo by Ben Davis.

Kriston Capps’ panning report on the immersive Van Gogh Hall phenomenon in CityLab this week brings us this nugget from Corey Ross, head of Lighthouse Immersive, the company behind one of the many Van Gogh light shows on tour: “We Just spent 3.2 million tickets sold, which, as I understand it, makes it the world’s most successful attraction on Ticketmaster. “

I looked at this to see if maybe it was true. It may be true!

It’s an apples-to-sunflower comparison, of course, but Pink’s “Beautiful Trauma” tour of 2019 sold “over 3 million tickets” to 159 venues, and was this year’s biggest music event ( I literally didn’t know Pink was still making music, but there you go). The Immersive Van Gogh Army is therefore well and truly fighting in this league. Even Taylor Swift’s ‘Reputation’ tour of 2018 only sold 2.5 million tickets, so it’s obvious the allure of a post-impressionist light show wins out. Look what you made me doTaylor era by the hundreds of thousands.

However, there are still worlds to be conquered for Immersive Van Gogh.

It can be difficult for Lighthouse Immersive to break Ed Sheeran’s ‘Divide’ tour record, which has sold 8.9 million tickets at 258 locations, unless they are considering a team. To imagine: Form of you and Starry Night, together? The night cafe feat. Galway Girl? No place on Earth could contain it.

3) Won’t someone want #AskaCurator?

September 15 marked the 2021 edition of the #AskaCurator Long Day on Twitter. And as usual, Twitterverse’s reaction to #AskaCurator Day was resounding: “Can you believe what just happened on #BachelorinParadise? “

#AskaCurator Day should be that brief and precious moment where overworked and underpaid people can finally show their obscure and specific knowledge to the public. More importantly, it’s a bit like watching people perform a slightly embarrassing chore.

Curators from many and varied institutions have spent hours in the past week seriously pondering big questions like, “How do you deal with spiders and cobwebs?” (“There is a detailed cleaning program”) and “What are the Conservatives wearing?” (“It depends on what I’m teaching that day.”)

Don’t get me wrong, there is gold in there. Love this from the National Cowgirl Museum:

But not all institutions can have Jon Snow’s saddle!

The heart of #AskaCurator is well placed, and these kinds of social media engagement initiatives are not in vain. Last year, #CuratorBattle to release “Scariest Museum Objects” was a galloping (albeit nightmarish) good time. But as I go through the pages of #AskaCurator Tweets, I’m starting to realize that reaching out to the general public to #AskaCurator is a bit like asking me to prepare questions for, I don’t know, someone who wraps gifts for. earn a living.

I would probably ask, “So how did you get started with gift wrapping for a living?” “

Then I would ask, “What are some unusual gifts that you have wrapped?” “

Then nothing more comes to mind.

And it’s #AskaCurator day.

I feel like National Trust curator Matthew Constantine sort of sums it up:

Follow Artnet News on Facebook:

Want to stay ahead of the art world? Subscribe to our newsletter to get the latest news, eye-opening interviews and cutting-edge reviews that keep the conversation going.

Source link

]]> 0
Why the Pipilotti Rist show at MOCA beats Van Gogh “immersive” Mon, 20 Sep 2021 18:34:04 +0000

Near the entrance to “Pipilotti Rist: Big Heartedness, Be My Neighbor”, recently opened in the Little Tokyo warehouse space of the Museum of Contemporary Art, a multitude of screened videos accomplish something rare. The digital ephemeral becomes physical, gaining material weight, more like a solid sculpture than the usually vaporous video art.

Rist built the back facade of a two-story clapboard house on a large, dimly-lit gallery wall, with picnic tables scattered around as if they were in a large courtyard. Brightly colored video projections swirl across the floor, while others glow in the house’s five windows.

To get to the shuttered windows to see what was going on, I found myself walking cautiously through the indoor / outdoor room. It was as if I could trip and trip over the flickering light of an image projected on the ground.

Which is crazy, I know. There is only colored light.

But this disconcerting experience, felt unconsciously in the body, is at the heart of the eccentric work of the Swiss artist, which unfolds in an enchanting investigation into his video, sculpture and installation art drawn from the past 35 years. The show, postponed for more than a year by the pandemic, was worth the wait.

“Corner projections” with relaxation cushions at Geffen Contemporary at MOCA for the exhibition Pipilotti Rist.

(Myung J. Chun / Los Angeles Times)

Before video art existed, painter Ad Reinhardt once said sculpture is something you come across when you step back to look at a painting. Here, video imagery is something you come across when trying to figure out where you are when you get home. Given the pervasiveness of such ever-insignificant but sometimes imposing images that scroll across countless screens – phone, TV, desktop monitor, laptop, tablet – this is no small feat.

This ethos started To emerge powerfully in the two-channel video shown at the Venice Biennale in 1997 that made the then 34-year-old Rist an international sensation. The video, “Ever Is Over All”, is projected in a corner, covering two large adjacent walls.

The image on one side is a skewed view of nature – a field or garden full of red-hot poker plants, their thorny purple and yellow blossoms shown in close-up on a human scale, pressed against the plane of the picture. On the other, a bubbly young woman in a flowing blue evening gown and ruby ​​red slippers – Dorothy Gale as a glossy model – idles the sidewalk of an urban Oz.

Grabbing a metal version of the red-hot poker flower, she happily lifts it above her head, swings and smashes the side windows of cars parked along the street. Crash! (To laugh.) Smash! (Whoop.) A passing female cop gives the casual vandal an equally cheerful smile, and even a nod.

The installation has long been admired for its jubilant and feminist challenge to institutionalized norms. (Almost 20 years later, Beyoncé covered this in her 2016 music video for “Hold Up.”) It is only in a choreographed work of art that such destructive freewheeling fun could exist as a constructive hymn.

In the context of the exhibition, however, what is emphasized is its one-step quality reversal of the experience of digital images, trapped behind glass. Are you used to sitting in a car as a passenger looking out the window at the world, experiencing life through a screen? Crash! Smash!

Rist also tackles the corporate monotony and bland commercial manipulation of most digital images, primarily by putting privacy and intimacy on a public pedestal inside a museum. In the first gallery, the vivid videos played in the windows of her house – so close together as to make them abstractions in blazing colors – draw you in to see what is going on. A spectator is discreetly seduced to become what amounts to a voyeur, peering through the windows of a stranger.

Pipilotti Rist, "Digestion of fingerprints (gastric endoscopy travel)" 1996/2014, mixed media

Pipilotti Rist, “Digesting Impressions (Gastric endoscopy Journey)” 1996/2014, mixed technique

(Myung J. Chun / Los Angeles Times)

Nearby, in a dark and veiled hallway, a women’s swimsuit in sunny yellow hangs from the ceiling. Inside is a spherical TV screen roughly the size of a basketball. The swollen female form suggests pregnancy in a womb, video technology portrayed as a mysterious and growing creative force.

A sticker on the floor urges, “Think harder. “

So, it could refer to a medical camera probe in the body – quite a common practice these days. To distinguish the flickering image shown on the curved screen of the monitor, which might have a response, it is necessary to come close and look through the holes in the legs of the swimsuit. Performing an intrusive inspection of a crotch is disturbing, funny, and confusing in its effortless dissection of the seductive power of video.

These themes and related themes recur throughout the show. One room has pillows stretched out on the floor, a place to relax and admire the gigantic and dizzying video projections on the adjacent walls. Sensual touch is repeatedly depicted – fingers playing with leaves, giant squirming toes, naked bodies rolling in the grass, apples thrown to the ground and grabbed by a sniffing pig – woozy images reminiscent of vaguely the fall from grace in the Garden of Eden, here compared to the avalanche of knowledge that digital images have provided.

Pipilotti Rist, "Pixel forest transformer," 2016, mixed media

Pipilotti Rist, “Pixel Forest Transformer”, 2016, mixed media

(Myung J. Chun / Los Angeles Times)

The “Pixel Forest Transformer,” a room filled with voluminous, flickering LED fairy lights suspended from the dark ceiling, evokes neurons animated by electrical impulses flickering in the brain. (A hidden media player changes the colors of the LEDs.) Walking among them is like being inside a video screen surrounded by digital pixels. Some turn out to have long, wavy tails – sperm, perhaps, that resonate against the labial shape Rist designed for lights.

Above the museum reception, the nine floors of a large globe-shaped chandelier are lined with hanging underpants. It’s like unmentionables used in laundry hanging to dry. The layered globe nods at a famous Modernist object – Danish designer Poul Henningsen’s ‘artichoke’ pendant light from 1958 – then undermines its dignified public aura with a fun and entertaining dose of home privacy.

References to another art are common in Rist’s work, where the art comes from another art. The “Pixel Forest Transformer”, for example, recalls the boxed mirror environments of American artist Lucas Samaras and Japanese artist Yayoi Kusama.

“The Innocent Collection”, a white wall covered with white plastic objects, paper and plastic foam – plates, packing materials, coffee cups, tubes of toilet paper, apron, etc., all donated by MOCA employees – crosses two predecessors. “Suprematist Composition: White on White” by Kazimir Malevich, a spiritually radical abstract painting from the aftermath of the Russian Revolution of 1917, anything is possible. on the beach.

Sometimes references overwhelm Rist’s work. “The Innocent Collection” seems slim, adding little to the sources.

Pipilotti Rist, "Chandelier 29 Palm trees," 2019, used briefs, bulb

Pipilotti Rist, “29 Palms Chandelier”, 2019, used underwear, bulb

(Myung J. Chun / Los Angeles Times)

For “Das Zimmer (The Room),” an extremely oversized living room set invites visitors to climb onto a huge sofa or accent chair and snuggle up to watch his videos on an insanely small TV screen. Making Lily Tomlin Edith Ann all of us is just plain fun; the imaginative wonder of the child provided by a work such as the giant sculpture of a table and chairs by Robert Therrien, made the same year (1994), casts a wider shadow.

Appropriation, whether from popular culture or artistic culture, can be difficult to execute convincingly. More often than not, Rist’s cross-references make for a trippy success story.

MOCA curator Anna Katz and curatorial assistant Karlyn Olvido worked with the artist to transform the sprawling space inside Geffen Contemporary into Pipilotti’s Playhouse. (Surely Pee-wee Herman would be proud.) The show’s expected duration, nearly nine months (closing June 6), is far too long; But, the emergence of a cloistered pandemic, where life on screen has been further exaggerated, couldn’t be better improved. The only thing missing from this generous psychedelic excursion through the digital mirror is a selection of cannabis edibles in the museum shop.

Forget those frankly absurd Van Gogh or Monet “immersive” business events that recently took place in empty storefronts across the country. They exploit rather than illuminate the contemporary digital situation. A bunch of high-resolution slides of famous century-old paintings projected onto surrounding walls for an entry fee of $ 55 just isn’t enough to lounge on a cushion of ground to be greeted in Rist’s stunning video garden. . Eden. The real art of a gifted artist is better than the art reproductions sold by a company on any day, especially at one-third the price.

“Pipilotti Rist: big heart, be my neighbor”

Or: Geffen Contemporary at MOCA, 152 N. Central Ave., Little Tokyo, LA

When: From Thursday to Sunday, until June 6

Admission: $ 10 to $ 18; children under 12 are free

Info: (213) 626-6222 oo

Source link

]]> 0
Van Gogh’s “new” drawing discovered after a century, exhibited at the Amsterdam museum Mon, 20 Sep 2021 07:42:00 +0000

A drawing from November 1882, Study for ‘Worn Out, ‘was recently discovered and attributed to Vincent van Gogh. The drawing is part of a private Dutch collection and was known to very few people, including some from the Van Gogh Museum. The owner, who has chosen to remain anonymous, has asked the museum to confirm whether the unsigned work is by Van Gogh.

The drawing shows an elderly, bald man sitting on a wooden chair with his head in his hands. The model of the drawing appears regularly in the works of Van Gogh, who drew the bald old man more than forty times. A far cry from Gogh’s vibrant oil paintings of various flowers and lush landscapes. Experts say this comes from a time in the artist’s career when he was working to improve his skills as a portrait painter.

“In terms of materials too, there is everything one would expect from a Van Gogh drawing of this period: a large carpenter’s pencil as a medium, coarse watercolor paper as a support, and a fixation with a solution of water and milk. There are traces of damage in the corners on the back of the drawing, which we can relate to the way Van Gogh usually attached sheets of paper to his drawing board using wads of starch, ”the lead researcher said. Teio Meedendorp in a statement.

The museum already has the almost identical design, Exhausted. “It was pretty clear that they are related,” Meedendorp added.

Study for “Worn Out” is a preliminary study for the 1882 drawing “Worn out”, one of the most powerful figure drawings of Van Gogh’s period in The Hague. The artist described in detail how the drawing was born in letters to his brother Theo and his friend Anthon van Rappard.

“It is quite rare that a new work is attributed to Van Gogh,” museum director Emilie Gordenker said in a statement. “We are proud to be able to share this first drawing and its story with our visitors. “

The drawing, which has never been made public before, is on display at the Amsterdam museum until January 2, 2022.

Source link

]]> 0
Things to do: See Van Gogh The Immersive Experience Sat, 18 Sep 2021 15:16:00 +0000

Of all the Impressionist painters, Vincent Van Gogh (1853-1890) is probably the greatest rock star of the genre. An artist whose name and work are recognizable even among the general public who are not lovers of art, and whose rudimentary sketch of life only polishes his image (madness, poverty, suicide and this auditory appendix sent to a prostitute as a gift…).

Van Gogh’s work – of which he would have sold only one in his lifetime – curiously sometimes takes a back place in relation to history. But Van Gogh‘s art takes center stage in the breathtaking and sensory exhibition Van Gogh: the immersive experience.

Click to enlarge

Van Gogh himself greets visitors.

Photo by Bob Ruggiero

“When we had the idea to create this Experience, we looked at a few artists. I was looking for a natural history. All the artists were great, but what makes Van Gogh particularly interesting are his colors. And he was partly color blind! says Mario Iacampo, CEO and Creative Director of the Exhibition Hub Producers.

“There is a wealth. Those strong blues and yellows and oranges. And a lot of the paintings showed large areas. It did [perfect] for this Experience.

In this digital journey, visitors can almost become a part of Van Gogh’s works themselves, and this certainly gives a different appreciation and understanding than a traditional gallery walk.

The centerpiece of Van Gogh: the immersive experience is in a room of several thousand square feet. As visitors sit on benches, cushions, Van-Gogh-decorated beach chairs, or even lie on their backs on rugs, a 360-degree panoramic projection onto 26-foot-high walls is broadcast via the video mapping technology.

During it, viewers see more than 300 Van Gogh works of nature and places in multiple images literally come to life in the animation and with the transformation all around. The constant motion animation has paintings that literally blend into each other in waves.

There are many self-portraits of Van Gogh throughout his life, as well as the actual characters he painted (there’s Dr. Gachet! Father Tanguy! Farmer Patience Escalier! And Roulin the Postman in crazy beard!). They move around often and “come to life” a bit like the portrait galleries of the Harry potter movies.

Even the lower floor is part of the show with projections from above. The 35-minute presentation is accompanied by booming classical music, sound effects, and a suitably Stentorian narrator occasionally uttering Van Gogh’s words (we recognize you, Jeremy Irons!).

Click to enlarge Visitors can walk in and take an Instagram-compatible photo on the bed in "The Room in Arles." - PHOTO BY BOB RUGGIERO

Visitors can come in and take an Instagram-compatible photo on the bed in “La chambre à Arles”.

Photo by Bob Ruggiero

“Van Gogh tells you what he was thinking, all the time. He wrote over 700 letters to his brother Theo, so we have his real words to tell his story, ”said Iacampo. “He would describe how depressed and dark he was in his life. But then he would paint Wheat field with crows and say ‘Everything I see is yellow, yellow, yellow.’ He helps you with his own story. And he only painted nine years!

It’s hard to describe the sense of transformation and the eerily compelling emotions this part of the show evokes. But this is by no means a triumph, a successful and unlikely union of oil paint, pen ink and computer programming. You don’t just see The starry Night, you feel the interstellar illumination as if it were real, but through the eyes of Van Gogh.

The show includes several other sections. In the first area encountered by visitors, a gallery gives details of Van Gogh’s life with timelines and reproductions of some of his most famous works on canvas (which unfortunately appear to come from low resolution images) .

Click to enlarge Mario Iacampo, CEO and Creative Director of Exhibition Hub.  - PHOTO BY BOB RUGGIERO

Mario Iacampo, CEO and Creative Director of Exhibition Hub.

Photo by Bob Ruggiero

The first indication that this exhibition is “different” comes in the form of a large bust of Van Gogh’s face onto which images of his work are projected in an ever-changing pattern. Likewise, a digital flower vase is full of examples of his work in this vein.

Another room presents 3D reproductions of some of his works. And yes, you can actually walk in and sit in the famous Room in Arles, precise down to the black lines on the furniture to make it appear as they do in painting.

In fact, much of the show is Instagram-friendly. There is also an art studio where visitors can sit while coloring one of Van Gogh’s works or create one.

The last stop of the exhibition walk will be a favorite with many, however. After donning virtual reality glasses while sitting on a stool, participants take a realistic 10-minute journey through the geography of Van Gogh’s natural world.

You “float” through the sets of several of his works: the house in which he lived, above the fields of wheat, corn and flowers of France, lush gardens and orchards, forests of olive trees. and cypress trees, along the cobbled streets while culminating in buildings and Tthe night cafe, former sleepy workers of Nap or watching the calm blue waters with boats under a sparkling sky. And of course, the Arles hospital where Van Gogh was imprisoned towards the end of his life.

Along the way, viewers stop as another Stentorian narrator (not Jeremy this time) provides atmospheric words as Van Gogh’s works arise alongside their larger virtual representations. Virtual reality isn’t very crisp, but realistic enough that I found myself repeatedly grabbing my stool to keep from “falling” down the stairs or into the water.

“It’s amazing how much more powerful perception is than reality. It doesn’t matter how much you tell yourself it’s not real or is not happening! Iacampo laughs. “Eventually you get lost.”

Iacampo estimates that Van Gogh created around 900 paintings and 1,100 sketches during his short life, noting that new authenticated works hitherto unknown still appear. He even had to change the exposure when it was determined by experts that the 1890s Tree roots was probably the last work the artist ever created, replacing Wheat field with crows in the exhibition with this recognition.

Click to enlarge You almost feel like participating and helping Van Gogh's subjects fix the roof in the Experiment.  - PHOTO BY BOB RUGGIERO

You almost feel like participating and helping Van Gogh’s subjects fix the roof in the Experiment.

Photo by Bob Ruggiero

Nowadays, Van Gogh: the immersive experience has or will be presented in cities of the United States (including Miami, New York, Dallas, Seattle, Boston), as well as in Europe (Antwerp, Berlin, Brussels, Naples, Tel Aviv, London) and even in China.

Iacampo says that part of the challenge for the traveling exhibit that will appear in multiple cities simultaneously is finding adequate existing space to integrate it. And the most important feature needed? Walls. High walls. In Atlanta, the Experience is projected onto walls 45 feet high and 60 feet in Philadelphia.

He admits that Van Gogh: the immersive experience is aimed at an audience in the digital age who is interested in art, rather than the traditional walker or art gallery expert. And that the work of over a dozen computer programmers and visual artists who put together this experiment was crucial to making it a success.

And this show is not the only one to adopt the “immersive” approach. All different and competing Immersive Van Gogh is set to take place in Houston from October 14 at a different location.

Iacampo drops that Exhibition Hub’s next immersive experience will be on the life and work of René Magritte, with the cooperation of the Magritte Foundation (all of Van Gogh’s works are in the public domain).

As for Vincent Van Gogh’s story, it’s actually still evolving, and that could mean other future changes in the series. “I just saw an article a few days ago that said another sketch of him may have been found. And another painting, ”says Iacampo. “The story of Van Gogh is always Go!”

Van Gogh: the immersive experience is scheduled to run through January 2, 2022 at the MARQ * E Entertainment Center, 7620 Katy Freeway, in a space between Edwards Cinema and LA Fitness and and by O’Connors. VanGoghExpo.Com to purchase tickets and select a scheduled entry. $ 22.90 (children) and $ 44.90 (adults). VIP packages and experiences are also available.

Source link

]]> 0
Summary of entertainment news: ‘Worn Out’ – Dutch museum discovers Van Gogh drawing of tired old man; HBO Max cuts prices in limited supply as streaming wars escalate and more Sat, 18 Sep 2021 05:03:22 +0000

Below is a summary of the current entertainment briefs.

“Worn Out” – Dutch museum finds Van Gogh drawing of tired old man

A Dutch museum on Thursday unveiled a hitherto unknown work by Vincent van Gogh – a study for one of his best-known drawings, “Worn Out” – in which an old man sits in a chair with his head in the eyes. hands. Van Gogh “was really interested in the ordinary person, he also sought to express his emotions,” said the director of the Van Gogh museum, Emilie Gordenker.

‘The Crown’, ‘Ted Lasso’ tops pandemic era Emmy Awards

Television may have been what helped people get through the lockdowns and quarantines of the past year, but the Emmy Awards themselves just don’t seem to be taking a break. Forced for a second year to ditch the traditional mass gathering of celebrities and executives, Cedric the Entertainer will host a scaled-down show in Los Angeles on Sunday that has been moved to an outdoor tent due to concerns about the Delta variant.

Naomi Campbell named Queen’s Commonwealth Trust Global Ambassador

British model Naomi Campbell joins the Queen’s Commonwealth Trust (QCT) international development charity as a global ambassador to support young leaders. The trust, founded in 2018, supports young people pushing for change in their communities in sectors such as health, environment and education.

Colorful catwalks return to London Hybrid Fashion Week

A hybrid London Fashion Week kicked off on Friday, with a mix of digital presentations and the event’s first in-person shows in a year. The international press and shoppers were back to watch the catwalk presentations, including presentations by menswear designer and choreographer Saul Nash and Turkish-born Bora Aksu.

Soviet chess legend sues Netflix for ‘sexist’ line on Queen’s Gambit

The world’s first female chess grandmaster, Nona Gaprindashvili, has filed a $ 5 million libel claim against Netflix for a line from her series “The Queen’s Gambit” that her lawyers believe is false and sexist. The 80-year-old Soviet chess icon, a heroine in her South Caucasian hometown of Georgia, was described in the last episode of the series as a champion who had “never faced men”.

Keira Knightley braves apocalyptic Christmas in “Silent Night”

Keira Knightley stars in the not-so-pleasant Christmas movie “Silent Night,” about a group of friends meeting for the holidays and blissfully ignoring an impending doomsday. Located in the English countryside, the friends eat, drink, sing and dance to enjoy their last Christmas, knowing that everyone will die the next day.

Elton John postpones European tour due to hip pain

Elton John has postponed his European “Farewell Yellow Brick Road” tour until 2023 due to hip problems. The 74-year-old British singer said he was advised to undergo surgery as soon as possible.

Former R. Kelly assistant testifies to singer’s sexual activity, “letter of apology”

A former assistant to R. Kelly said on Friday she had seen him once engage in sexual activity with one of the women he is accused of abusing, as prosecutors neared the end of the presentation of their sex trafficking case against the R&B singer. On day 18 of testimony at Kelly’s trial in Brooklyn federal court, Cheryl Mack, the mother of music producer London on da Track, said she saw the woman start massaging Kelly backstage at a Connecticut concert where it was happening.

HBO Max cuts prices in limited supply as streaming wars escalate

AT&T Inc’s HBO Max streaming service cut subscription fees in half as part of limited-time offer to attract millions of subscribers lost after dropping Inc’s Prime video channels The limited-time promotional offer of $ 7.49 per month – up to six months – is available until September 26 for users who accessed HBO through Prime video channels as well as all HBO Max subscribers. , new and old, the company said on Friday.

Sotheby’s to auction rare first edition of the US Constitution

An extremely rare first official printed edition of the U.S. Constitution will be auctioned by Sotheby’s in mid-November, the auction house announced on Friday. Announcing the upcoming sale of the document on the 234th anniversary of its signing by delegates to the Constitutional Convention, Sotheby’s estimated its value between $ 15 million and $ 20 million.

(This story was not edited by Devdiscourse staff and is auto-generated from a syndicated feed.)

Source link

]]> 0