The Idyllists http://theidyllists.com/ Sat, 25 Sep 2021 01:48:53 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://theidyllists.com/wp-content/uploads/2021/06/cropped-icon-32x32.png The Idyllists http://theidyllists.com/ 32 32 Steven Pinker: “Universities have become arenas to punish heretics” https://theidyllists.com/steven-pinker-universities-have-become-arenas-to-punish-heretics/ https://theidyllists.com/steven-pinker-universities-have-become-arenas-to-punish-heretics/#respond Sat, 25 Sep 2021 01:30:00 +0000 https://theidyllists.com/steven-pinker-universities-have-become-arenas-to-punish-heretics/ Our ancestral primates evolved in Africa about 300,000 years ago. Rising to the top of the evolutionary chain, our species has reshaped nature in its image with divine power and intelligence. Homo sapiens went on to succeed in creating religions, political systems, cities, spectacular works of art, skyscrapers, space rockets, the internet, smartphones and a global economy. But deep down in our being, are we really rational creatures?

Yes, ”says Steven Pinker enthusiastically from his home in Los Angeles, California. The 66-year-old Canadian-American evolutionary psychologist, linguist and popular science bestselling author then pulls out a list. It contains a remarkable set of human achievements of the post-Enlightenment era, from dating the origin of the universe to decoding the secrets of life, to the discovery of DNA, and many more. .

This impressive account of scientific progress is the result of solid and logical reasoning. But the cognitive means to understand the world and bend it to our advantage isn’t a trophy of Western civilization, Pinker insists: it’s something we’ve inherited from our evolutionary history. He then briefly summarizes this story.

Source link

]]>
https://theidyllists.com/steven-pinker-universities-have-become-arenas-to-punish-heretics/feed/ 0
Galen Hooks’ Interpretive Dance on “I Love You” Feeds My Artist’s Soul – The Channels https://theidyllists.com/galen-hooks-interpretive-dance-on-i-love-you-feeds-my-artists-soul-the-channels/ https://theidyllists.com/galen-hooks-interpretive-dance-on-i-love-you-feeds-my-artists-soul-the-channels/#respond Fri, 24 Sep 2021 21:53:12 +0000 https://theidyllists.com/galen-hooks-interpretive-dance-on-i-love-you-feeds-my-artists-soul-the-channels/

Galen Hooks (left) and Antavius ​​Ellison (right) on “I Love You” by Billie Eilish, choreographed by Galen Hooks. Source Galen Hooks.

I have never been immensely moved by a materialistic work of art, but the emotional performing arts have left a deep mark on me.

The YouTube video of Galen Hooks’ choreography to Billie Eilish’s “I Love You” never fails to move me. This dance portrays grief, passion, independence and more.

Posted on September 24, 2019, this video features nine dancers each doing a solo dance for one minute and 40 seconds.

Before watching this video, I had never felt so strongly connected to a room.

Growing up, I danced competitively for 16 years. Dancing was my outlet, it allowed me to express myself like nothing else could. I was able to put movement into everything I was feeling and to create an emotional connection with those around me.

Whenever I’m not feeling inspired, I watch Galen Hooks dance lessons and choreography videos online.

When I came across her choreography for “I Love You”, I was left speechless.

Galen Hooks is an American dancer, choreographer and creative director, among a variety of other talents.

Hooks has choreographed for over 20 years and has worked with renowned artists such as Janet Jackson, Rihanna and Justin Bieber. Her unique style caught my eye about four years ago and no other choreographer has compared since then.

The video begins with Hooks herself performing the dance, creating an intense and moving emotion for the rest of the video.

With the help of the videographer and the director, the dance is truly transcendent into a beautiful work of art. Each angle and each shot captures a raw new emotion that creates a connection between dancers and spectators.

I don’t believe there is a way to watch this performance and not feel anything.

Hooks finds a way to touch something in your soul with simple movements and heavy facial expressions. The dancing is pretty straightforward, but the way Hooks and his troupe perform in a unique way forms something that has never been done before.

In the description of the video, Hooks says: “The theme of this course was to marry acting with dance, and to work specifically on the skill of acting for a camera with choreographed camera movement.

This type of performance is an impressive skill due to the difficulty in performing.

“It’s rare that dancers are hired for jobs where they can perform solo and interact with a camera, so this class was a way to create an opportunity for them.” said Hooks.

Not only are the performances captivating, but they were also very beneficial for the dancers themselves for their work experience.

Outside of the choreography, Hooks’ favorite song, “I Love You” by Billie Eilish, is a masterpiece in itself. Eilish captures the raw heartbreak in this beautiful song.

Eilish expresses feelings of a tragic breakup wwith lyrics like “I can’t escape the way I love you, I don’t want it, but I love you.

With the mastery of choreography and emotional song combined, a powerful work of art is created by the movements of Galen Hook.

Source link

]]>
https://theidyllists.com/galen-hooks-interpretive-dance-on-i-love-you-feeds-my-artists-soul-the-channels/feed/ 0
Immersive digital art exhibition on Van Gogh opens in Cleveland https://theidyllists.com/immersive-digital-art-exhibition-on-van-gogh-opens-in-cleveland/ https://theidyllists.com/immersive-digital-art-exhibition-on-van-gogh-opens-in-cleveland/#respond Fri, 24 Sep 2021 18:00:00 +0000 https://theidyllists.com/immersive-digital-art-exhibition-on-van-gogh-opens-in-cleveland/

CLEVELAND – After sold out in Chicago, Los Angeles and New York City, a one-of-a-kind digital art exhibit has made its way to Ohio.


What would you like to know

  • Interactive Van Gogh uses cutting-edge technology, theatrical storytelling and world-class animation.
  • It presents 400 images of Van Gogh’s art
  • The exhibition is open in Cleveland and will open in Columbus in October

Immersive Van Gogh transports visitors to the works of artist Vincent Van Gogh using cutting-edge technology, theatrical storytelling and world-class animation.

The original exhibition is the latest creation by Italian film producer Massimiliano Siccardi whose work was recently highlighted in the Netflix series ‘Emily in Paris’.

“We have over 400 images of Van Gogh‘s art that we have licensed in museums around the world,” producer Corey Ross said. “Then Siccardi deconstructs them, animates them, then maps them to the walls inside the building where we show the exhibition. “

The new approach to Van Gogh’s work allows visitors to browse the exhibition as the art moves around them. The exhibit also includes a free narrative, which immerses visitors in the mind of Van Gogh using over 60,000 video images and over 500,000 cubic feet of projections.

Immersive Van Gogh has already started its run in Cleveland. The exhibition opens in Columbus in October.

For more activities around Ohio, click here.

Source link

]]>
https://theidyllists.com/immersive-digital-art-exhibition-on-van-gogh-opens-in-cleveland/feed/ 0
10 historic games for Assassin’s Creed fans https://theidyllists.com/10-historic-games-for-assassins-creed-fans/ https://theidyllists.com/10-historic-games-for-assassins-creed-fans/#respond Fri, 24 Sep 2021 14:42:52 +0000 https://theidyllists.com/10-historic-games-for-assassins-creed-fans/

The Assassins Creed Games are masters in the art of incorporating real life story into their games while keeping them fun to play. They take a lot of liberties and add more fantastic elements, but that’s what makes it fun.

RELATED: 10 Games You Didn’t Realize Were Spiritual Successors Of Other Games

However, they are far from the only games with a heavy historical bent. Many others go out of their way to explore various aspects of history, from wartime clashes to the mundane daily life of the peasants.


ten The Age Of Empires series is a classic

Age-of-Empires-IV Header

Age of empires is a classic RTS City Builder wartime series that follows various civilizations. The player is tasked with building entire empires through the ages of a civilization’s life, participating in historical scuffles, and gaining a little insight into the kinds of things needed to make a civilization last. They also tend to have story modes that follow specific leaders and have a lot to read for real facts.

RELATED: 10 Retro Games You Never Played (But Should)

There is also a spin-off, The age of mythology, which follows various mythologies of ancient civilizations, adopting a more fantastical bent while remaining in tune with various real-world myths.

9 Ancestors Legacy is a fast RTS

the heritage-of-ancestors-featured

Legacy of ancestors is a tactical squad RTS set in medieval Europe. It follows four distinct nations and their conflicts, from the Vikings to the Anglo-Saxons, the Germans and the Slavs. It allows the player to build temporary settlements, manage resources, and assemble entire squads to send to war.

Each of the scenarios is inspired by actual historical events and focuses heavily on the tactical side of things. They require the use of land like most other games don’t, bringing another layer to the game.

8 The Anno series combines both the history and the mechanics of city building

Anno 1701

Anno is another series of historic city builders, except for its futuristic component. Each of the games is set around a specific era rather than spreading through the ages, and as long as resources continue to be managed appropriately, the game can go on and on with just the player’s imagination. as a limit.

They also have the advantage of being well balanced, unlike most other RTS games. The easier games are good for a more relaxing experience, where the more difficult games are better for the expert and the more competitive player base.

7 Banished follows exiled travelers to a new country

Banned is a city builder, a colony simulator that follows a group of exiled travelers. It takes a unique perspective on managing resources where people matter too.

Another unique part of the game is the lack of skill trees and money. Instead, it’s about resource management and trade. He takes a stern look at how the first civilizations came to be and some of the decisions needed to create a successful city.

6 Crusader Kings III is a grand historical strategy

Ignoring the developer’s love for overpriced DLCs, Crossed Kings III builds on the flaws of its predecessors and really brings the game to life. The player follows a noble house around a massive map and must guide their empire through the ages. Something really unique about this compared to many other games like this is that the leaders are also dying and needing to be replaced. There is also a strong focus on personality, which shapes how followers view their leader.

Depending on the civilization followed by the player, he may also encounter a whole series of problems identical to those which would have occurred in the real world, from peasant revolts to raiding by knights or Vikings.

5 Europa Universalis IV spans four centuries of history

Europa Universalis IV covers considerable ground in the history of the early modern world, providing a complex simulation of war, diplomacy, and commerce. There are also thousands of historical and real events for the player to deal with on a topographic map. It also includes and takes seasonal effects into account, which most other games overlook.

There are even actual historical leaders who appear as characters to help or hinder the player throughout the game, with actual events becoming relevant. Unlike its predecessors, this one also features a new Monarch Power system where the player’s choices are influenced by the type of leader the player has at the top of the ladder.

4 Medieval dynasty adds element of survival

Medieval dynasty

Medieval dynasty just got out of early access and really is a huge undertaking. He follows with a medieval character in a massive open world, starting low and ending up working his way higher and sparking events with the king.

It has an extremely interactive environment with realistic interactions with wildlife, resources to collect, quests, trading, economics, and even social interactions with NPCs. Besides having a day / night cycle, this also has a seasonal cycle to add another layer of realism to the mix.

3 Ryse: Son of Rome continues the quest for a Roman soldier

Ryse son of Rome follows with the story of a young Roman soldier Marius Titus. He witnesses the murder of his family and then follows the Roman army to Britannia in order to seek revenge.

RELATED: Assassin’s Creed: 10 Toughest Assassination Targets

It’s an action-adventure full of Assassins Creedflair of style with lots of difficult battles and the occasional slyness. It’s bloody and dark in places, with a relentless protagonist. The bonus is that while the game is relatively short, it is very engaging and doesn’t necessarily want to hold the player’s hand throughout it, with the tough fights being easy enough to complete and tough enough to really get the job done. the player for that. .

2 Sid Meier’s civilization allows the player to be historical rulers through time

Civilization is a series of turn-based strategies that follows historical leaders as they build their civilization from beginning to future. They tend to be a bit less linear than some other story-based games, as rulers who have never interacted with each other in the real world might end up offering trade routes or fighting in-game. .

It focuses heavily on the research potential of people within civilization and the kinds of things they are capable of creating. Technological advancements in a civilization can bring everyone at different speeds, much like what actually happened. It’s an interesting take to consider from a historic turn.

1 The Total War series has a number of historic entries

three kingdoms all-out war

The Total war The series features a number of episodes focusing on various historical events, from Rome and Troy to Britannia and beyond. They are also renowned for their War hammer installments that use many of the same concepts but in a more fantastic setting War hammer provides.

Total war Still focuses on a squad-based system with the intention of controlling and conquering historic areas and taking into account the types of means they would have used at the time. Lay siege to fortified cities, plunder historic monuments, and build huge empires through war.

NEXT: 10 Games Hated By Old Fans But Adopted By The New

Celica and Alm from Fire Emblem: Echoes


Next
Fire Emblem Echoes: 5 times Celica was the best protagonist (and 5 times it was Alm)


About the Author

Source link

]]>
https://theidyllists.com/10-historic-games-for-assassins-creed-fans/feed/ 0
Jersey City Theater Center (JCTC) Presents Inaugural Immigration Arts Summit https://theidyllists.com/jersey-city-theater-center-jctc-presents-inaugural-immigration-arts-summit/ https://theidyllists.com/jersey-city-theater-center-jctc-presents-inaugural-immigration-arts-summit/#respond Fri, 24 Sep 2021 13:56:05 +0000 https://theidyllists.com/jersey-city-theater-center-jctc-presents-inaugural-immigration-arts-summit/

×

The Jersey City Theater Center (JCTC) announced the inaugural Immigration Arts Summit on Sunday, October 3, 2 p.m. to 6 p.m., at White Eagle Hall in Jersey City (337 Newark Ave.).

The in-person event marks the official opening of the 3rd JCTC Voices International Theater Festival. The Summit centers on a multidisciplinary performance – mixing dance, film and poetry – presented by immigrant artists from Guinea, Mexico, Jamaica, Colombia, the United States and Italy.

“The Immigration Arts Summit is a natural extension of the Voices International Theater Festival and a meaningful way to address our theme of art and democracy,” says Olga Levina, JCTC Co-Founder and Artistic Director and Immigrant from Belarus. “The Summit celebrates immigration as an integral part of America’s DNA. Recognizing and giving voice to the experiences of our immigrants not only enriches the arts, but it also benefits our collective community and our shared understanding of global issues.

Throughout the afternoon, artists and community leaders will examine what it means to engage ethically in another person’s story and how that engagement can be transformative for individuals and society.

Participants will hear keynote speakers Hope Azeda, a leading figure in contemporary Rwandan theater, and Joseph Patel, producer of “Summer of Soul”. Musician Ariel Guidry and writers Maiya Katherine and Issa Musharbash, authors of “An Apology to My Demons” and “Go Back to Your Country,” respectively, will represent Jersey City, who will host a book signing.

“Movement Without Borders” will feature global talent including Tish Lampert, acclaimed American photojournalist from the US-Mexico border, Jersey City poet and performer Jonathan Mendoza, acclaimed record maker and artistic activist Raoul Roach, and Enrique Morones , founder and director of Gente Unida.

In addition, Adelita Husni-Bey, artist and Italian-Libyan researcher, will screen her film “Chiron”. Christhian Diaz, a Colombian-American artist and Chairman of the Board of UnLocal, a non-profit organization providing free legal representation to undocumented migrants in New York City, will host a discussion and question-and-answer session. Finally, the West African musician and activist Natu Camara will close a day of cultural exchanges.

This event is made possible by many supporters, including the New Jersey State Council on the Arts, a partner agency of the National Endowment for the Arts, the Hudson County Office of Cultural & Heritage Affairs / Tourism Development, Hudson County, Hudson County Executive Thomas DeGise, the Hudson County Board of Directors of Selected Free Owners; the City of Jersey City, Jersey City City Council and the Office of Cultural Affairs. Festival sponsors include PNC Bank, Mastercard, LeFrak, Barcade and Shuster Group.

Tickets ($ 20) are available here: https://www.seetickets.us/event/Immigration-Arts-Summit/439700.

About the Jersey City Theater Center

Founded in 2006, the Jersey City Theater Center is a 501c3 nonprofit arts organization committed to inspiring conversations on important issues of our time through the arts. For more information visit https://jctcenter.org or contact (201) 795-5386.

Source link

]]>
https://theidyllists.com/jersey-city-theater-center-jctc-presents-inaugural-immigration-arts-summit/feed/ 0
HED COVER: The Maestro & The Movement https://theidyllists.com/hed-cover-the-maestro-the-movement/ https://theidyllists.com/hed-cover-the-maestro-the-movement/#respond Thu, 23 Sep 2021 22:00:00 +0000 https://theidyllists.com/hed-cover-the-maestro-the-movement/

“Bernstein’s Wall” will be screened Saturday afternoon at Aspen Filmfest. (Courtesy of Aspen Film)

Leonard Bernstein was a proud warrior of social justice who sought – on and off his conductor’s podium – to change the world. Yes, he was arguably the most important American musician of the 20th century, but as the new documentary “Bernstein’s Wall” argues, the music itself may not have been his most important work.

Directed by Douglas Tirola, the film examines the life and work of Bernstein through the prism of his activism.

The Boston-born composer and conductor was an early and active figure in the civil rights movement, working with Martin Luther King, attending the 1965 march in Selma, and performing in support of the cause. He went to Jerusalem and pleaded for the fall of the walls between Arabs and Israelis. Bernstein was also an early and outspoken opponent of the Vietnam War.



“Art has never stopped a war, it has never found a job for anyone,” he says in the film. “What he can do is he can move people by allowing them to wake up and be active.”

Bernstein was mostly ridiculed for his activism by new journalist Tom Wolfe, who in 1970 wrote about a fundraiser organized by Bernstein for the Black Panther Party and coined the term “radical chic” based on the event. That put him at the center of the culture war of the time – which looks a lot like today’s – but it didn’t bend Bernstein’s will, the film shows.



“Protesting against pollution and poverty is difficult, not easy. To oppose the military-industrial complex is difficult, not easy, ”he told an anti-war crowd in Times Square in the film. “I’m here to say ‘I’m with you.'”

“Bernstein’s Wall” will be screened Saturday afternoon at Aspen Filmfest. (Wikimedia Commons)

Bernstein himself narrates nearly all of the film itself, with clips assembled from interviews and TV shows, most of which were forcefully delivered in a direct-to-camera address from an end-of-life profile. They are complemented by some of his written correspondence, which crosses the screen in text with music in the background. And there are some exciting supercuts in Bernstein’s film directing, sweaty and directing the New York Philharmonic in his signature dramatic style.

As he says in the film, he is “possessed by the ideas and ideals of music”, and he indeed looks like a man possessed.

The film premiered in June at the Tribeca Film Festival and played Telluride before coming to Aspen Filmfest, where it will screen on Saturday afternoon.

Triola, best known for his 2015 National Lampoon documentary “Drunk Stoned Brilliant Dead,” found in Bernstein an avatar that could express the filmmaker’s perspective on today’s divided and conflicted culture.

“It’s incredibly personal,” Triola said Monday in a telephone interview. “I wanted to use her story to express a number of things I was feeling in the world right now.”

He fell in Bernstein’s story while researching a movie about New York in the 1980s. Triola came across footage of Bernstein’s historic concert in Berlin on Christmas Day 1989, celebrating the fall of the Berlin Wall a month earlier. Triola remembered seeing the show on TV as a child, but seeing it again piqued her interest when she saw how relevant Bernstein’s social justice work was today.

“It took me on this journey of watching things he said on YouTube and things he wrote and I was really more interested in the way he talked about life and politics and religion, ”Tirola said. “I wanted to find a way to make a movie where I could express these ideas.”

It is striking, after the years of “building the wall” under the Trump administration, how often and with what power Bernstein talks about walls – metaphorical and physical – and his mission to tear them down.

“We have never had in our human history so many borders, barriers, walls, lines of demarcation on such unrealistic maps”, says Bernetein in the film. “David, Jesus, Schiller, Beethoven. How you must suffer.

Diving through the archives to find footage of Bernstein to create a sense of telling his own life story, Tirola found a treasure comprising revealing images of his end of life with Bernstein speaking directly into a camera about his core beliefs.

“That’s why I conduct and write music,” says Bernstein, “because I love people. I pray for the years and the energy to make the contribution that I ultimately want to make.

With an emphasis on social activism, “Bernstein’s Wall” focuses on surprising areas. For example, he spends more time on Bernstein’s later, less political musicals like “1600 Pennsylvania Avenue” and “MASS” – which have drawn the ire of President Nixon himself, as the House tapes reveal. Blanche played in the document – only on “West Side Story,” which only gets a brief treatment in the film. His influential and acclaimed film scores go almost unnoticed.

“Bernstein’s Wall” will be screened Saturday afternoon at Aspen Filmfest. (Courtesy 4th Row Films)

Of course, Bernstein’s life and career was so huge that a documentary filmmaker could (and maybe should one day) make 10 feature films about him and not cover everything. For Triola, focusing on activism made her choices clear.

“My interest was that Leonard Bernstein was trying to answer the question, ‘What is the role of an artist? And what is the role of the artist in creating a change in the world? ‘ Said Triola. “I was trying to figure out how to tell the parts of the story that you expect to hear, but then deliver unexpected moments.”

Biographical details – his father’s emigration from Russia to the United States, his studies at the Curtis Institute and his first summer in Tanglewood, his marriage, his children, his male lovers, his relationship with Aaron Copland, his concerts very popular young people – are closely linked to the activism that remains at the center of the Tirola documentary.

The viewer sees Bernstein at the forefront of social justice work for decades, showing little doubt about his concepts of right and wrong and no qualms about using his public platform in the name of progress. Sometimes that means supporting Duke Ellington or spotlighting a black soloist at the New York Phil, or stepping behind the Iron Curtain after the Berlin Wall was built in 1961 to give a series of lectures and concerts in Russia.

“It was a State Department sponsored friendship mission,” Bernstein says in the film at the start of a fascinating section detailing his friendship with John F. Kennedy.

Bernstein fought during the last months of his life in 1990. As to whether artists could have an impact, Bernstein concluded: “The artist can change the world but he cannot necessarily change the world. through his art.

atravers@aspentimes.com

Source link

]]>
https://theidyllists.com/hed-cover-the-maestro-the-movement/feed/ 0
Frida Kahlo Last Self Portrait Auctioned – Van Gogh and Frans Hals: X-Con Theft Trial https://theidyllists.com/frida-kahlo-last-self-portrait-auctioned-van-gogh-and-frans-hals-x-con-theft-trial/ https://theidyllists.com/frida-kahlo-last-self-portrait-auctioned-van-gogh-and-frans-hals-x-con-theft-trial/#respond Thu, 23 Sep 2021 11:34:48 +0000 https://theidyllists.com/frida-kahlo-last-self-portrait-auctioned-van-gogh-and-frans-hals-x-con-theft-trial/

Frida Kahlo’s latest self-portrait set to reach $ 30 million

Sotheby’s is auctioning an important self-portrait of Mexican artist Frida Kahlo. The 1949 self-portrait, Diego y yo (Diego and me), is the last fully completed bust self-portrait, completed before his death in 1954. It will be offered as a featured lot in the Modern Night Sale in New York. . This historic work is estimated at over $ 30 million.

Diego y yo is a quintessential example of the singular approach to the portrait of Frida Kahlo

Intense and moving, this vital work by the beloved and renowned artist is on the verge of breaking its current auction record of $ 8 million reached in 2016 and could become the most important Latin American work of art. most valuable ever auctioned. The Modern Evening Sale, formerly Impressionist & Modern Art Evening Sale, will inaugurate a larger reorganization of Sotheby’s General Fine Art’s evening sales categories taking effect in November in New York. (More details to be announced at a later date.) Diego y yo will be on display to the public October 7-11 in Hong Kong and October 22-25 in London before returning to New York for an exhibition ahead of the November sale.

Brooke Lampley, President and Global Sales Director of Sotheby’s for Global Fine Art, said: Beyond. Offering this portrait in our Modern Evening Sale in November heralds the recent expansion of the Modern category to include greater representation of under-represented artists, especially women artists, and rethink how they have historically been valued at auctions.

Julian Dawes, Co-Head of Impressionist and Modern Art at Sotheby’s in New York, said: “A Kahlo painting of this quality and excellence is a rarity at auction. When I look at this painting, the expression “abre los ojos”, in Spanish for “open your eyes”, immediately comes to mind. In a literal sense, it refers to Kahlo’s penetrating gaze as the model of the portrait (and Rivera’s double portrait), but I think it also symbolizes the incredible moment this painting will surely usher in for Kahlo, as the market grows. ‘opens. her eyes on Kahlo in a new way and secures her place in the auction echelon to which she belongs.

Top Photo courtesy of Sotheby’s

Van Gogh and Frans Hals: X-Con goes on trial

A man is currently on trial for theft of paintings by Vincent Van Gogh, and Frans Hals could face a sentence of up to eight years. Dutch prosecutors have linked DNA evidence to a photo frame found in the museum’s parking lot. A positive correspondence with a database led to the arrest of Nils M, a 59-year-old man who had already served a five-year prison sentence for stealing silver items from a museum in Gouda in 2012.

CCTV footage of the theft last year showed a man using a hammer to smash two glass doors in order to enter the museum. He left with the painting under his arm. Van Gogh’s first painting had an insured value of 2.5 million euros (approximately $ 2.9 million). The Hals were valued between 10 and 15 million euros (between 11.7 and 17.6 million dollars) – were not recovered.

Photo: Vincent van Gogh ‘The rectory garden in Nuenen in spring.’ Courtesy of the Groninger Museum

Firstsite Selected Art Fund Museum of the Year 2021

Firstsite Selected Art Fund Museum of the Year 2021

Firstsite, a public gallery in Colchester that has had to fight for funding from the Arts Council, was announced as the winner of the Art Fund Museum of the Year 2021, in a ceremony held at the Science Museum in London and hosted live on the BBC.

Celebrating its 10th anniversary, Firstsite is a contemporary art organization presenting a diverse mix of historic, modern and contemporary art from around the world in an inclusive environment. He has built a solid and critical reputation, maintaining long and deep relationships with artists and the local community.

During the pandemic, it mobilized at high speed to support local populations, loaning its building to a neighboring charity, Community 360, to manage a food bank. Within days of the lockdown, Firstsite created activity packs featuring over 50 artists and downloaded by over 92,000 homes. The organization ran The Great Big Art Exhibition, which encouraged people to display their art in their windows during the lockdown to create a nationwide gallery. Michael Landy’s Welcome to Essex exhibition was loved by thousands of visitors.

In response to Black Lives Matter, Firstsite commissioned Elsa James to make a downloadable work in solidarity and continued the Super Black festival celebrating black culture in Essex. Other important initiatives have included My name is not Refugee, an arts council collection curated by clients of Refugee Action Colchester, and Art For Life, an NHS-commissioned exhibit with key workers to help understand the impact of Covid-19 on mental health.

Jenny Waldman, Director of the Art Fund and Chair of the Art Fund Museum of the Year Judges, said: “We are proud to announce Firstsite in Colchester as the Art Fund Museum of the year 2021. They are an outstanding example of innovation and integrity, from inspiring everyone to turn their windows into a national gallery during lockdown to feeding local children during school vacations. At their heart lies an art powerful and engaged contemporary housed in a gallery that gives space to everyone from artists and NHS staff to local families and refugee groups. They exceeded our expectations. Here is a small organization that sees great and caring for its local community. Here is excellence in Essex. ‘

The winner was one of the five finalists. The other shortlisted museums were: Center for Contemporary Art Derry ~ Londonderry (Derry ~ Londonderry, Northern Ireland), Experience Barnsley (Barnsley, South Yorkshire, England), Thackray Museum of Medicine (Leeds, West Yorkshire, England) and Timespan (Helmsdale , Sutherland, Scotland). Each of the other finalist museums receives a prize of £ 15,000 in recognition of their achievements.

This year’s jury members are: Maria Balshaw, Director of Tate and President of the National Museum Directors’ Council; Edith Bowman, host; Katrina Brown, director of The Common Guild; administrator of the Art Fund; Suhair Khan, strategic project manager at Google, artist Thomas J Price and Jenny Waldman, director of the Art Fund.

Photo: Courtesy of the Art Fund

Read more

Visit


Similar Items

Source link

]]>
https://theidyllists.com/frida-kahlo-last-self-portrait-auctioned-van-gogh-and-frans-hals-x-con-theft-trial/feed/ 0
Odipe takes the stage in Berlin https://theidyllists.com/odipe-takes-the-stage-in-berlin/ https://theidyllists.com/odipe-takes-the-stage-in-berlin/#respond Thu, 23 Sep 2021 08:29:22 +0000 https://theidyllists.com/odipe-takes-the-stage-in-berlin/

BERLIN – “The city stinks of death in its streets,” laments the chorus in Sophocles’s “Oedipus Rex”. Thebes is in the grip of a deadly plague. The king summons a prophet to guess the will of the gods, who accuses the monarch, “You are the damned polluter of this earth.

The theme of nature’s response, revolting against unnatural acts, is a theme that resonates 20 months after the start of the Covid-19 pandemic and after a summer of extreme weather events linked to climate change, including floods in Germany, deadly heat waves in Canada and fires. in Greece.

All of this may help explain why, at the start of the theater season in Berlin, Sophocles’ tragic hero, the original Mama Boy, was at the center of a quartet of new productions at some of the city’s biggest companies. .