By modernizing the traditional film form of found images, onscreen horror has the potential to become the perfect replacement for the subgenre.
the images found The genre has terrified audiences for decades, but advancements in technology have prompted creators to find a replacement in the form of on-screen horror films. The horror of found images was first created by films such as The Blair Witch Project and Cannibal holocaust, present filmmakers with a way to create unique and horrific films on a low budget. The realistic nature of films of found images often allows them to be sold as true stories, a tactic that The Blair Witch Project used when marketing the film.
The feature films found don’t always work, but they are terribly effective when they do, and the adaptability of the format has ensured its longevity. Instead of negatively impacting the subgenre, the gradual disappearance of VHS and DVDs prompted filmmakers to find creative ways to explain how the creepy and cursed sequences became, which resulted in movies like REC and The Bay, on reports that have gone wrong. Although their popularity began to wane in the early 2010s, the rise of streaming services led to the creation of a new kind of found pictures film: the on-screen horror film.
While the current internet age presents challenges for traditional found-footage film, on-screen horror uses the popularity and normality of the online world to its advantage. It would be impossible to reproduce the Witch Blair marketing campaign due to social media, but onscreen horror incorporates social media into movies to give them a sense of realism. Movies like Friendless, Dark Web, and Research positions the audience through the protagonists’ eyes, giving them an overview of the character’s computer screens. Facebook accounts, YouTube videos, and email inboxes are fully displayed, captivating the viewer by making them feel like they are scrolling through their own computer. This tactic is even more immersive for people who watch movies on their own devices, making them perfect for the streaming age.
The images found and the horror films on the screen make heavy use of the technologies of their time, and they are able to adapt quickly to what audiences expect from a horror film, without losing that sense of realism. . Host, released at the start of the Covid-19 pandemic, made stay-at-home orders and Zoom serves as the basis for the 2018 film and film Research was a unique take on a missing person thriller, showing how the internet can heighten everyday fears and distort relationships. When done right, on-screen horror films leave audiences unsettled, weighed down by unanswered questions and the likelihood that events in the film will actually happen. While on-screen horror may be unable to recreate the ‘real events’ narrative often used in films of found images, they are still authentic enough to disturb audiences and make them wonder if there is. a fact hidden in fiction.
For as long as it has existed, found images film has evolved, constantly adapting to accommodate an ever-changing audience and technology. While the popularity of the subgenre rises and falls, its accessibility and straightforward format mean it won’t go away anytime soon, and filmmakers will always find ways to kick off a new phase of found footage films. While onscreen horror might not be the latest evolution in its genre, the internet age makes it the perfect evolution for the images found movies from the past.
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